This neighbourhood-emersed, one square acre oasis in the middle of Toronto [pop. 6,129,000], was originally known as Kendal Square due to being beside Kendal Avenue…
In 1959, in recognition of the diligence and passion of Toronto’s Finnish community, the little square was officially renamed Jean Sibelius Square and featured a striking monument with the Finish composer’s likeness crowning it.
My encounter with this petite and charming park was during the socially-disruptive 70s, when The Annex was transformed from a neighbourhood of red-brick mansion propriety, to one of red-brick mansion rooming houses populated by hippies and university students.
I lived in the former red brick Victorian home of a Toronto physician with fifteen other actors–including Doug Todd, who has commissioned this painting of Jean Sibelius Square. We were members of the theatre ensemble called Creation 2 (I for seven years, he for two), which was both commune and theatre ensemble:
Life for Doug Todd and I, and others within the group, was a mixture of great bonding, high demands, internal turmoil and personal confusion. What had started out as a dynamic experiment combining the best of ensemble acting with the ideals of a close-knit communal living, began taking on the telling characteristics of a cult.
The Jean Sibelius Square Park, being a block away from our living situation, provided us with a treed, quiet, people-free place of calm and restoration. The watercolour depicting that 1970s’ oasis-like feeling is now finding its expression as it goes from outlined sketch to the initial wash stage:
The Finnish composer (seven symphonies, including ‘Finlandia’) is memorialized in a tidy little one acre park in The Annex area of Toronto, Canada, nestled on four sides by its red brick house neighbourhood.
The Vancouver Sun’s long-serving investigative reporter and author, Douglas Todd, [https://vancouversun.com/author/douglastodd2/page/2], commissioned a watercolour of this familiar setting he and I knew well when living nearby while in a theatre company commune in the mid-1970s.
A striking memorial was donated by Toronto’s Finnish community in 1959 and the park–originally known as Kendal Square–was renamed Jean Sibelius Square Park. In 2010, the park was officially reopened after a major redesign equipped it with an extensive playground and enhanced outdoor skating rink.
Approaching this watercolour commission, it seemed most appropriate to laden it with a 1970s feel–visually allowing Doug and my memories of Sibelius Park to surface and suffuse the painting with an autumnal feel.
A decision has been made to sacrifice accuracy to the bringing up from deep memories a vision of what we both recall and felt about this little space–this oasis from the complicated goings-on within our nearby commune. And we both remembered it being nearly always empty of people, strewn with fallen leaves, lit by street lamps, smelling slightly of wood smoke from the chimneys of the surrounding substantial, Victorian brick homes of the established Annex community.
Therefore, the end result will disappoint anyone currently familiar with Jean Sibelius Square, and its revitalized, playground-dominated landscape, as well as those who may live around it. None of the actual homes will be depicted, rather homes springing from our memory of those homes are being brought to the surface.
butterfly bouquet
May 10, 2020
A very Happy Mother’s Day, whether your little ones are the human variety, now fully grown, or the canine or feline variety, or whether your cared for charges are swimming in aquarium or pond, or preening their feathers, know you are loved, and enjoy your day in the sun.
watercolour, 5″ x 7″, Arches 140# Hot Press Paper
by Lance Weisser
SOLD
Conjuring Up Wales
May 5, 2020
How does it go again? Oh yes….
I never saw a Moor —
I never saw the Sea —
Yet know I how the Heather looks
And what a Billow be.
Emily Dickinson (1830-1886)
I’ve not travelled a great deal. My idea of an exceptional journey would be choosing some smallish city or large village, renting an apartment over a shop for a month, then spending each day walking with my portable watercolour kit and folding chair to a different, yet close spot and becoming very familiar with it through drawing and painting and observing and experiencing–everyday a new, yet local viewpoint–getting to know one place well.
Not for me, these cruises or bus/rail excursions, trying to glimpse way too much, too quickly, itinerary-driven and herded about. It’s the visual equivalent of wanting everything at an all-you-can eat buffet–determined to defy the limitations of one’s plate by having it all.
Re-reading this paragraph, it comes off as pious and rather haughty. Truly many would find my notion of travelling more than just a little boring, and yes, possibly a recipe for loneliness. In any case, for all my grand proposing, I’ve never actually done it!
I do most of my travelling via imagination. So, here’s how I conjure up Wales:
watercolour, 7″ x 12″, Arches #140 Hot Press Paper
by Lance Weisser
($150/matted, email: weisserlance@gmail.com)
Seriously Shirley
April 23, 2020
watercolour 5″ x 7″ on Bockingford Paper
by Lance Weisser
SOLD
“Surely you can’t be serious.”
“I am serious — and don’t call me Shirley.” [movie: ‘Airplane’ with Leslie Nielsen]
Seriously, here’s where the Shirley Poppy gets its name:
“. . . Shirley Poppies are actually not a distinct species, but rather a strain, or even more correctly, multiple strains of the species P. rhoeas which have been selected for a colour break from the wild species. Rather than completely red, the first strains were carefully selected for their pastel colors so stylish in the late 1800’s. The name Shirley Poppies comes from where the first strain was developed, in the village of Shirley, in the United Kingdom where the vicar of a parish in the village made the very first selections, thus, isolating the first strains from wild poppies. Since then, all Shirley Poppy selections have originated from that first selection, and many are still grown today. . . ”
[source: http://www.growingwithplants.com/2012/07/shirley-poppies-step-by-step.html]Peace
April 12, 2020
A bouquet of Peace roses on Easter Sunday, offering up peace of heart and mind during these uncertain times of isolation ….
watercolour, 7.5″ x 10″, Arches #140 Cold Press Paper
by Lance Weisser
SOLD
The Peace Rose was developed/cultivated from a seed the size of a pinhead in Lyon in 1935 by the French commercial rose-growing family, the Meilland’s, and introduced simply as ‘3-35-40’. Attracting much attention for its beauty at a rose convention in 1939, France was invaded by Hitler and the Meilland properties seized and used for food production.
In desperation, the Meilland’s smuggled ‘3-35-40’ out of France in a diplomatic satchel to The United States, where, in 1940, it was submitted to The All-America Rose Selections (AARS) for a three year testing. Based on the success of this testing, a launch date of April 29, 1945, was chosen to coincide with the Pacific Rose Society Annual Exhibition in Pasadena, California.
‘3-35-40’ still did not have a real name. Then, April 29th, 1945, its official launch date, coincided with the fall of Berlin and the declaration of a Europe-wide truce.
At The Pacific Rose Society Annual Exhibition, two doves were released and ‘3-35-40’ was christened by The AARS via this statement:
“We are persuaded that this greatest new rose of our time should be named for the world’s greatest desire: ‘PEACE’.“
The new rose ‘PEACE’ was officially awarded the AARS award on the day that the war in Japan ended, and on May 8, 1945, with the formal surrender of Germany, each of the 49 delegates to the newly created United Nations were presented with a bloom of “Peace”.
“As for the Meillands, whose rose farms and family assets were destroyed by World War II, the commercial success of “Peace” enable the family business to recover and subsequently continue to develop new, beautiful roses. In what might be a moral to a parable Francis Meilland, who died in 1958, wrote in his diary:
‘How strange to think that all these millions of rose bushes sprang from one tiny seed no bigger than the head of a pin, a seed which we might so easily have overlooked, or neglected in a moment of inattention’ . . . “
'Serenity now'
March 23, 2020
…..remember this? https://www.youtube.com/watch?v=Ow_9MglZrhs
So now we’ve all been plunged into Seinfeld rerunland.
watercolour, Arches 140# Hot Press Paper, 16″ x 14″
by Lance Weisser
$150.00 (in 3″ mat)
$200.00 (matted and framed)
shipping not incl.
inquiries: weisserlance@gmail.com
Murtle Lake November
December 30, 2019
Murtle Lake–housed within the gorgeous Wells Grey Provincial Park–about an hour’s drive from our home in Kamloops, B. C.–“is world-famous as the largest canoe-only lake in North America. Set in a pristine mountain valley, the north and west arms are approximately 20 km long, and the lake averages three kilometres wide. . . ” [http://www.env.gov.bc.ca/bcparks/explore/parkpgs/wg_murt/]
watercolour by Lance Weisser
140# Arches Cold Press Paper [sold]
On the Wells Grey Provincial Park website comes this advice to those who wish to access Murtle Lake for overnight canoe/kayaking trips:
“The outlet of Murtle Lake is the swift-flowing and dangerous Murtle River, noted for its many waterfalls. Visitors wishing to hike to McDougall Falls must use caution in Diamond Lagoon.”
“Murtle Lake is a large lake and subject to gusts of strong wind. The lake often becomes choppy in the afternoon. If moving camp it is best to do so in the forenoon. Never try to out-run a storm; beach at the first available opportunity and wait out bad weather. The Park Operator has emergency communication and a satellite phone link located in the Ranger Cabin on the south shore of Murtle Lake.”
Finished Painting: ‘Raven Winter’
February 16, 2018
It is snowing again, and is likely to continue through today and tonight and into tomorrow. As my friend Shiela says, snow today is water tomorrow, meaning we live in a characteristically arid part of British Columbia (our backyard mountain ridge has many cacti plants) and so every source of water is cherished. The snowmelt from the mountains is crucial to ensuring our lifeline, the Thompson River, is of normal size.
Around here, many people kind of roll their eyes and sigh when learning we’re getting another ‘dumping’, but I’ve always delighted in snow and can now sadly envision a day when there won’t be any. Our living situation is such that I can handle clearing the driveway without much effort, otherwise I might be joining one of the eye-rolling crowd.
Here is the painting ‘Raven Winter’ that is now framed and ready to be presented to my friend Patricia Kellogg as a possible choice in our painting exchange deal:
‘Raven Winter’, watercolour on treated art board, 9″ x 12″
Work in progress: ‘An ear-full of Waxwings’
February 2, 2018
As a child there was probably no bird I wished more to see than a Waxwing. In on-location photographs they just looked so exotic and intriguing–their colouration and little tufted crowns–the whole package was and is so appealing.
In those days we lived in Eastern N. America where Waxwings aren’t found and so it took many decades–after I’d moved to British Columbia–for my chance to encounter these birds. And it happened as I stood at our front picture window looking out at the Red Maple just beyond the glass–a tree which had nestled within it a deserted Robin’s nest.
Suddenly there appeared a large group of birds I’d never before seen, Cedar Waxwings, darting about the nest, examining it animatedly and calling to one another. I watched in fascination as they systematically began dismantling this Robin’s nest, their little bandit’s masks seeming very appropriate to their deciding to make someone else’s home theirs for the taking.
‘An Ear-full of Waxwings’ — work in progress — Saunders Waterford Hot Press Paper, 140 lb.
A grouping of these birds is known as ‘an ear-full’ almost certainly because they go about in bunches and are constantly chattering in a distinctive, rather conversational voice that is more insistent than melodic or song-like, yet charming even so.
… a little Junco
May 3, 2016
My observations are that birds which winter over are more agreeable in disposition than birds which come here to breed. Case in point, Juncos, which winter over here and then head further North to breed. They are such a delightfully polite and agreeable little bird, not taken to fighting over the feeders, but rather preferring to peacefully forage below them.
‘Dark-eyed Junco’
3″ x 5″, watercolour on Saunders Hot Press 140# Paper
On the other hand, birds which migrate here to breed, like the Common Grackle, dive-bomb me when I’m giving our dog Elmo his early morning walk, as though I am suddenly in my dotage going to start climbing trees to pull down their nests.
But blest be the birds which come here to winter over, like the so-lovely Common Redpoll and the Dark-eyed Junco. Although extremely territorial when nesting, we get to see Juncos when sex is the furthest thing from their bird-brained minds and finding seeds on the snow is all they care about.
Some birdie facts:
- Juncos are the “snowbirds” of the middle latitudes. Over most of the eastern United States, they appear as winter sets in and then retreat northward each spring. Some juncos in the Appalachian Mountains remain there all year round, breeding at the higher elevations. These residents have shorter wings than the migrants that join them each winter. Longer wings are better suited to flying long distances, a pattern commonly noted among other studies of migratory vs. resident species.
https://www.allaboutbirds.org/guide/dark-eyed_junco/lifehistory
….cedar waxwing
April 23, 2016
As a kid, having to enter the annual Science Fairs in Jr. High–the ones where invited experts walked around with clipboards trying to find possible prize winners–I had exhibits which were often concerned with birds–songbirds, usually–their migration patterns and predators, and fun facts.
I never won a prize. That usually went to kids who electrocuted themselves voluntarily in order to prove water and wires don’t mix–or the kids who cross fertilized seeds and created vegetative freaks.
The shortlist I had then in the 50s (living in upper New York State) was to see any kind of Bunting (they looked outrageously colourful), our State Bird the American Bluebird (which I never did see, and still haven’t), any kind of Tanager, and of course, any kind of Waxwing.
“Berry Picking”
Cedar Waxwing, 4″ x 6″, watercolour, Saunders Waterford Hot Press 140# Paper
Having lived now in seven different Canadian locations, from coast to coast, I’ve been able to photograph a Western Tanager in our front garden, a pair of Mountain Bluebirds (astonishingly blue), and a group of Cedar Waxwings which descended on our Red Maple branches and began dismantling a Robin’s nest, rather than having to bother scavenging their own material.
The Waxwings were much smaller than expected, and every bit as fascinating as I’d hoped. Their ‘bandit’s mask’ gives them an allure other birds lack, and their interesting ‘song’ and penchant for travelling about in flocks makes them worth having to wait 60 years to see them.
….Chickadee Miniature
April 21, 2016
This Winter along with the usual Mountain Chickadees at our feeders, we were pleased to have Black-Capped Chickadees as well. Coming from Eastern parts, they are the ones associated with childhood and so have a special place for me.
Right now we are experiencing amazingly warm temperatures–85F (30C)–and gardening is ramped up as a result. Dividing time between perennials and painting is a pleasure. As an Autumn and Winter person, I continue painting with that pallet of tones and colourations, and so ask you to cut some slack if/when I post snow scenes in April.
‘Pause That Refreshes’
5"x 7", Watercolour, Saunders Hot Press #140 paper
Cool Facts
- The Black-Capped Chickadee hides seeds and other food items to eat later. Each item is placed in a different spot and the chickadee can remember thousands of hiding places.
- Every autumn Black-capped Chickadees allow brain neurons containing old information to die, replacing them with new neurons so they can adapt to changes in their social flocks and environment even with their tiny brains.
- Chickadee calls are complex and language-like, communicating information on identity and recognition of other flocks as well as predator alarms and contact calls. The more dee notes in a chickadee-dee-deecall, the higher the threat level.
- Winter flocks with chickadees serving as the nucleus contain mated chickadee pairs and nonbreeders, but generally not the offspring of the adult pairs within that flock. Other species that associate with chickadee flocks include nuthatches, woodpeckers, kinglets, creepers, warblers and vireos.
- Most birds that associate with chickadee flocks respond to chickadee alarm calls, even when their own species doesn’t have a similar alarm call.
- There is a dominance hierarchy within flocks. Some birds are “winter floaters” that don’t belong to a single flock—these individuals may have a different rank within each flock they spend time in.
- Even when temperatures are far below zero, chickadees virtually always sleep in their own individual cavities. In rotten wood, they can excavate nesting and roosting holes entirely on their own.
- Because small songbirds migrating through an unfamiliar area often associate with chickadee flocks, watching and listening for chickadee flocks during spring and fall can often alert birders to the presence of interesting migrants.
- The oldest known wild Black-capped Chickadee was at least 11 years, 6 months old when it was recaptured and re-released during banding operations in Minnesota.
source: https://www.allaboutbirds.org/guide/Black-capped_Chickadee/lifehistory
….House Finch miniature
April 16, 2016
It is so heartening to have requests from bloggers and site visitors who have arranged to have original bird miniature paintings sent to them. The last posting of the Raven miniature, “Keeping Watch”, is currently winging its way to Hawaii, and the March 5th miniature entitled “Raven Moon” is sitting on Byron’s desk in Wisconsin. Another of a wintering Chickadee is with its new owner, Cynthia the poet, https://littleoldladywho.net/ in Maine.
Some bird species are seemingly germain to just about anywhere, the House Finch being one. When we moved from Eastern Canada to extreme Western Canada, there they were. And on fellow blogging sites like H. J. Ruiz’ Avian 101 (https://avian101.wordpress.com/), there they are in the Peach State of Georgia.
‘House Finch’ — watercolour on Saunders Waterford 140# Hot Press Paper, 2.5″ x 4″
They are, along with wintering Goldfinches, the most frequent visitor to our feeders, and have such a delightfully melodious song. Unlike the slightly larger Purple Finch which probably isn’t found in the West, they do not so much look like they’ve been dipped in raspberry concentrate, as they’ve stuck their heads in wild cherry cream soda. Their disposition is mild, insofar as they aren’t pushy or argumentative when at the feeders. If another species is bossy, they simply flit down to the snow and eat the remains below, along with the Juncos.
If you are ever interested in owning one of these posted bird miniatures, simply email me at: weisserlance@gmail.com and we’ll work out the arrangements. Thank you to all who are so very supportive in comments and visits!
…..Keeping Watch
April 7, 2016
Our little Gallery in the small city of Kamloops, B. C.’s historic Courthouse (1911) has a Featured Artist offering every month and May will be my month to put on a display of recent miniatures. So now it is a matter of working towards having a good showing.
“Keeping Watch”
watercolour on Saunders Hot Press #140 lb paper, 4″ x 6″
I can’t quite explain why it is that depictions of Ravens sell so well, but they do. So it is a pleasure to be able to comply and feed the need, so to speak. They are indeed a very symbolic and ancient bird whose fame is heralded in many countries and cultural legends concerning them abound.
Out taking photographs of them this week, I came across a pair whose size was truly astonishing and whose throaty calls echoed off the nearby boulders and across the wide Thompson River. Once that is accomplished, it is a matter of trying to place them in a scene which has definite mood and emotional impact.
….eggciting week ahead
March 20, 2016
Painting eggs is something of a little hobby which began almost 35 years ago when the process of the dyed Ukrainian eggs was intriguing from an artistic point of view–meaning, the way/how it was done, not the desire to become overwhelmed with making intricate geometric designs. So employing the method of using beeswax to wax over those parts of an egg one wanted kept white, then dropping the egg into coloured dye, again waxing over the area which would retain that dye’s colour, and dropping it into yet a different coloured dye and repeating the process until the entire egg was covered in wax.
At this point, the wax was removed by carefully holding it over a candle flame and wiping the melted wax free with a tissue. Once the wax was removed, the egg was blown of its contents and if being used as a Christmas tree ornament, a string was affixed to the top.
Here is an example…..
Quite a number of years later, the notion of doing away with the dye/wax method in favour of actually painting on the egg’s surface was experimented with. This was successful but a huge breakthrough occurred when moving from painting chicken eggs to painting duck eggs. A duck egg’s surface is not chalky like chicken eggs, but rather satiny smooth and extremely receptive to watercolour. This was discovered while staying in The Philippines, where duck eggs were easily come by.
Painting a duck egg would be done, then the egg would be spray-lacquered so as to protect and seal the watercolour-painted surface. Once completely dry, the insides would be blown out….
……and in honour of the 6th day of Christmas….
….which brings us to today and trying to replicate a moonlit rocky mountain scene on a duck egg purchased locally ($3.50/half doz) through craigslist and meeting the man carrying his trusty picnic cooler outside the supermarket:
A very Happy and Blessed Easter to all my blogging friends!
….Raven rave
March 9, 2016
Having found a frame the perfect colour and size for a larger version of the Raven painting done a few days ago, this is turning out to be a Raven rave of sorts, this time a little more wintry.
7″ x 7″ on Arches Hot Press #140 paper
….draw a bird day
March 8, 2016
Teresa Robeson reminded me of ‘bird day’ (https://wordpress.com/read/feeds/4736591/posts/949345080#comments) with her striking rendition of an exotic Araripe Manakin from Brazil.
Here is a far more humble (don’t tell it that!) species, but at least I’m doing my birdy duty this Tuesday morning…..
1.5″ x 2″ on Arches Hot Press 140# Paper
I saw my first one two weeks ago–around the third week of February–which is so early for this region, it is nuts. When they get here, they go for Mountain Ash berries and other withering, over-wintered types of fruit, until their usual fare of insects and worms become accessible. They are in breeding mode preoccupied with all their parental preparations.
….Raven Moon
March 5, 2016
Ravens sell very well in this neck of the woods, partially because they figure so prominently in our local Native legends–and partially because they are, as a species, so singular and distinctive. A customer pointed out to me that whereas Crows are very social (gathering together in great numbers), Ravens are solitary. Perhaps one of you can verify this comment–or add a correction?
This painting is 2.75″ x 1.75″ and, instead of putting it behind glass for protection, the decision was made to spray it with a durable fixative so the piece has more immediacy when viewed. I did include the glass in case the customer wishes to provide greater protection.
These bird miniatures can also be purchased from me through weisserlance@gmail.com for $30US (postage costs additional) unframed, $35US framed. Some buyers have chosen to select a suitable frame themselves locally and then email me the size the painting must be to fit their chosen frame. Then it is simply a matter of mailing off the painting in an envelope–easy-peasy. I have painted everything from someone’s favourite parrot (our late, great friend George Weaver’s prize pet) to exotic birds seen on a favourite trip and painted from a photograph supplied via attachment.
…. composition exercise conclusion
February 27, 2016
Results of ‘composition exercise 1’: dividing a landscape into thirds, placing visual interest at each intersectional point….
Results of ‘composition exercise 2’:
and 3:
bringing us to 4:
It has taken a long spell of waffling over what to do about being less than pleased with the finished piece. The snowy fields seemed to extend themselves too far down, without enough visual interest to hold a viewer’s attention. And then I gave into the temptation/artistic trap I almost always seem to fall into, which is going one step too far by defining open field with regimented rows of corn which wind up being so monotonous, the fence posts going the opposite direction only add yet more visual predictability and kill whatever freshness the piece had going for it.
….so the only satisfactory outcome was to crop the painting and salvage what could be salvaged.
It is a very small painting, about 6″ x 12″, and has at least enough mood still going on to make it only just worth framing.
As an exercise, however, it was more than useful, and confirmed satisfactorily that placing interest at intersectional points within a composition divided into thirds works (sans rows of corn, that is), does hold one’s attention, and lends a feeling of balance.
…. Robin miniature 2
February 12, 2016
It has been an unsettlingly warm Winter here in interior British Columbia, with Spring bulbs actually starting to poke up through the ground. Unsettling, because being only mid-Winter, we might well suddenly get one of those Arctic inflows and see temps plunge to -20C, which would effectively ruin what shouldn’t have already begun sprouting, including fruit trees.
It wouldn’t be surprising at all to actually see Robins returning in February, when their normal return isn’t until mid-March. Being such avid worm-hunters, I have wondered at their early returns here, particularly as to what they find to eat. The answer is the Mountain Ash berry and other lingering berries. The danger, apparently, is eating ones which have fermented, thereby becoming naturally alcoholic and responsible for killing birds who eat too many.
This miniature is of the British/European Robin, which doesn’t reside in Canada. But English Robin miniatures are snapped up in our Gallery simply because they have established such a rich literary following, and also appeal to Canadian emigres.
The difficulty painting a bird the painter has never seen–and therefore isn’t familiar with–means it may not be true to how the bird actually looks. However, this particular bird has so frequently been depicted in book illustrations and greeting cards, that its persona lives beyond its ‘real life’ comings and goings. So here in Canada, getting the English Robin ‘right’ isn’t as stringent a matter as getting the Canadian Robin right–a bird everyone is familiar with, and therefore has to be flawlessly rendered.
They seem so very sweet.
…. belated draw a bird day
February 9, 2016
It has become ‘belated everything’ for me lately…so why not this as well.
2.5″ x 3.75″ watercolour on Arches Hot Press 140#
We’ve come to know this as the English Robin (at least here in Canada), though I see it referred to elsewhere as the European Robin (which of course no Brit would ever go for).
Here are some (possibly) little-known tidbits about it: “. . . The distinctive orange breast of both sexes contributed to the European robin’s original name of redbreast (orange as the name of a colour was unknown in English until the sixteenth century, by which time the fruit of that name had been introduced). In the fifteenth century, when it became popular to give human names to familiar species, the bird came to be known as robin redbreast, which was eventually shortened to robin. As a given name, Robin was originally a diminutive of Robert . . . ” [ Lack, D. (1950). Robin Redbreast. Oxford: Oxford, Clarendon Press. p. 44]
Personally, I have never seen this bird except depicted and written about in stories like “The Secret Garden”. But whenever I paint a miniature of them, it is purchased very quickly, and usually by a homesick, transplanted member of a country ‘across the pond’. It would be a treat to see them in their natural setting.
…. mackerel sky
January 29, 2016
There is an Old English saying about weather which goes: “Mackerel scales and mare’s tails make tall ships carry low sails”. ‘Mackerel scales’ refers to Altocumulus clouds which (to some) resemble the markings on the sides of mackerel. ‘Mare’s tails’ refers to Cirrus uncinus clouds which–according to the saying–must, like mackerel scales, indicate strong winds, though the two types wouldn’t likely appear together in the same sky.
The subject is taken from a view of the British Columbia coast, beaten down by the effects of storm after storm. Having lived on Vancouver Island at one point, the weather forecast for the most northerly tip seemed to nearly always call for wind and rain which made me thankful we lived on the most southerly end. We received quite enough rain as it was. However, seldom was it ever a pelting, all-out soaking torrent–which made local people say to tourists complaining about the constant drizzle, “Yes, but it’s a dry rain.”
This was painted on treated illustration board.
…. Tranquille Creek Gorge
January 21, 2016
The watercolour video demonstrations of David Dunlop are challenging and yet simple. https://www.youtube.com/watch?v=Lgtg-Adql1Y&index=6&list=PLtEJwQmsB7SvVg8C4J2c4LDijerH7SSKF (I tried to embed the video itself in this post, but WordPress thought otherwise). But here is the blurb describing it….”Emmy Award winning David Dunlop takes you to his Connecticut studio to demonstrate a two minute watercolor, used as preparation for an oil sketch or to explore ideas“.
Mr. Dunlop is an artist/teacher from Connecticut, whose manner when teaching is inspiring and animated. He is a great follower of descriptive, energetic Masters like J.M.W. Turner and Winslow Homer, and seeks to employ their methods, while demonstrating their techniques.
The video cited above challenges painters to do two to three minute painting sketches, which convey the movement and mood and spirit of the subject, without stopping to think and rework. In an effort to ‘do’ and not think, the subject chosen here is a favourite–a place about 20 minutes from our house–called Tranquille Creek Gorge.
Mr. Dunlop’s videos are quite dynamic and aimed more at oil painters a bit more than watercolourists, but full of very encouraging lessons because of the force of his optimistic personality and sense of fun. They are well worth watching, for those who enjoy painting as a means of expression.
….composition exercise 2
January 17, 2016
Continuing on with an attempt to test out the compositional dictum known as ‘the rule of thirds’, which was conceived and named by John Thomas Smith in 1797 :
“. . . Analogous to this “Rule of thirds”, (if I may be allowed so to call it) I have presumed to think that, in connecting or in breaking the various lines of a picture, it would likewise be a good rule to do it, in general, by a similar scheme of proportion; for example, in a design of landscape, to determine the sky at about two-thirds ; or else at about one-third, so that the material objects might occupy the other two : Again, two thirds of one element, (as of water) to one third of another element (as of land); and then both together to make but one third of the picture, of which the two other thirds should go for the sky and aerial perspectives. . . “
To illustrate its basics…..
Once again, this is the drawing I did initially, to put this into practice….
And this is the first go at painting the scene….
And now today, here is the progress so far, attempting to locate some visual interest at each of the four intersections within the piece, the barn being the first and the pine being the second and the creekbed being the third…..
The darkest darks and greatest contrast will remain with the barn, for that is the intended focus for the picture, when completed.
The ‘rule of thirds’, as stated above, holds that generally two-thirds of a landscape be devoted to the sky, with one-third given to the land below (the sky being such a vast and dominant feature). In this case two-thirds is dedicated to the land and a very high horizon means that the one third is devoted to the sky area.
weisserwatercolours 