….eggciting week ahead

March 20, 2016

Painting eggs is something of a little hobby which began almost 35 years ago when the process of the dyed Ukrainian eggs was intriguing from an artistic point of view–meaning, the way/how it was done, not the desire to become overwhelmed with making intricate geometric designs.  So employing the method of using beeswax to wax over those parts of an egg one wanted kept white, then dropping the egg into coloured dye, again waxing over the area which would retain that dye’s colour, and dropping it into yet a different coloured dye and repeating the process until the entire egg was covered in wax.

At this point, the wax was removed by carefully holding it over a candle flame and wiping the melted wax free with a tissue.  Once the wax was removed, the egg was blown of its contents and if being used as a Christmas tree ornament, a string was affixed to the top.

Here is an example…..

duck eggs, email size

Quite a number of years later, the notion of doing away with the dye/wax method in favour of actually painting on the egg’s surface was experimented with.  This was successful but a huge breakthrough occurred when moving from painting chicken eggs to painting duck eggs.  A duck egg’s surface is not chalky like chicken eggs, but rather satiny smooth and extremely receptive to watercolour.  This was discovered while staying in The Philippines, where duck eggs were easily come by.

Painting a duck egg would be done, then the egg would be spray-lacquered so as to protect and seal the watercolour-painted surface.  Once completely dry, the insides would be blown out….

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……and in honour of the 6th day of Christmas….

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….which brings us to today and trying to replicate a moonlit rocky mountain scene on a duck egg purchased locally ($3.50/half doz) through craigslist and meeting the man carrying his trusty picnic cooler outside the supermarket:

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A very Happy and Blessed Easter to all my blogging friends!

 

….composition exercise 2

January 17, 2016

Continuing on with an attempt to test out the compositional dictum known as ‘the rule of thirds’, which was conceived and named by John Thomas Smith in 1797 :

“. . .  Analogous to this “Rule of thirds”, (if I may be allowed so to call it) I have presumed to think that, in connecting or in breaking the various lines of a picture, it would likewise be a good rule to do it, in general, by a similar scheme of proportion; for example, in a design of landscape, to determine the sky at about two-thirds ; or else at about one-third, so that the material objects might occupy the other two : Again, two thirds of one element, (as of water) to one third of another element (as of land); and then both together to make but one third of the picture, of which the two other thirds should go for the sky and aerial perspectives. . . “

To illustrate its basics…..

ruke of thirds

Once again, this is the drawing I did initially, to put this into practice….

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And this is the first go at painting the scene….

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And now today, here is the progress so far, attempting to locate some visual interest at each of the four intersections within the piece, the barn being the first and the pine being the second and the creekbed being the third…..

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The darkest darks and greatest contrast will remain with the barn, for that is the intended focus for the picture, when completed.

The ‘rule of thirds’, as stated above, holds that generally two-thirds of a landscape be devoted to the sky, with one-third given to the land below (the sky being such a vast and dominant feature).  In this case two-thirds is dedicated to the land and a very high horizon means that the one third is devoted to the sky area.

 

 

 

 

 

 

 

….the silt bluffs

November 22, 2015

An area east of Kamloops, B. C., follows the South Thompson River which flows between dramatic limestone cliffs originally formed (it is estimated) 270 million years ago.

Among those cliffs is a gully–a waterworn ravine known as ‘the silt bluffs’, featuring very distinctive rock formations which have the look and feel of something out of a Western movie.

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Massive geological formations such as these require some form of treatment by a painter in order to adequately convey their uniqueness and grandeur.  This watercolour attempts to do that by purposely choosing to paint directly into the sun.

This part of our landscape gets quite literally baked by heat at midday, so when painting outdoors it is important to get it done quickly.

 

 

hot

August 24, 2015

This has been one. hot. summer.  Right now smoke from fires burning on the Washington State/Canada border is blowing up our way due to Southwest winds.  It’s an acrid, doused campfire smell and hazy even when just looking across the street.

Weisser,Lance,SiltBluffsII,7.5x9.5,Watercolour,$185a

‘The Silt Bluffs, Kamloops’, watercolour on Hot Press #140 Arches, 19cm x 24cm, (7.5″ x 9.5″) sold

Oh yeah.  I’m done.  Bring me a nice serving of September.

first tries

July 20, 2015

At age thirteen, in 1960, there was a book at the public library on ‘how to paint’ in watercolour.  In those years we lived in Rochester, New York (the home of Eastman Kodak and famous for its Lilac Festival), and ‘art class’ had been a favourite because of Miss Wright.

Miss Wright (Cecile) had a long wooden table covered in Mason jars filled with tempera paint of what seemed to be every colour known to humankind.  There were those wooden medical tongue depressors in each jar for stirring, and the rank smell of that paint probably still resides somewhere on our persons.  In the back room she had dozens of file folders filled with magazine clippings of any subject we wished to study in order to do our work–trees, flowers, mountains, old people, young people, dogs, cats, chipmunks, birds and on and on and on.

There was no real structure to that 45 min. period, insofar as we simply went to the back room and retrieved whichever folder was of interest that day and put on our smocks (my father’s old shirt), dribbled our paint selections onto an old plate and went to town.  Miss Wright was strict and had her long greying hair wound round tightly atop her nobly-held head, through which she always thrust her pencil.  She was strict about a few things, including making sure that if a street lamp or person or fence post were in front of a tree branch, we had to be sure to make the rest of the branch extend beyond the object (“otherwise it looks like the lamp post chopped it off!”, she’d say, grabbing our brush and doing it herself. “See??”).

To this day I have always followed this advice.  No lamp posts ever chop off branches.

In the ‘how to paint’ book were step-by-step instructions of how to do a finished painting, complete with step-by-step illustrations.  All I had available were those paints in round pans housed in a black metal rectangle of a box, which every child in America at some point found thrust into a Christmas stocking (not what the book recommended).

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watercolour study, some kind of spiral-pad watercolour paper, 18cm x 28cm (7″ x 11″)

Beginning with the drawing (not as difficult a subject as the others available), the first task was the sky.  It was an absolute fascination discovering how a wetted area would feather into sort-of ‘instant’ clouds.  That alone had me sold.  Learning from the author that more distant objects required less paint and more water was very helpful.  And so was adding more detail as the paper dried, saving the finest detail for when it had dried completely.

And the most helpful thing was learning that a single Kleenex solved a lot of problems. What it didn’t teach me was when it was a good time to stop fussing and ‘perfecting’ (another word for ‘ruining’), which I’ve still not quite managed to learn.

geology and art

May 31, 2015

ACCORDING TO GEOLOGIC FINDINGS, Kamloops, B. C., has limestone which dates back 270 million years.  The earth itself is estimated to be some 4.5 billion years old.  So the rock and sediment of Kamloops is relatively young in comparison, which is due to it having once been part of the ancient Pacific Ocean floor.  Fossils in the area show ancient ocean plankton.

THE DOMINANT AND STRIKING, ANCIENT, WORN-DOWN MOUNTAINS within City Limits are the remains of ancient volcanic activity, and are remarkably bare of trees, gaining beauty from sunrises and sunsets, moonlight, and an annual ‘greening’, when the rains of Spring bring out the new leaves of Sagebrush and native grasses.

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‘Signature Mountains of Kamloops, B. C.’, watercolour on Arches Hot Press Paper 140 lb., R. Foster Collection

mountain storm

May 24, 2015

MOUNTAIN STORMS ALWAYS COME WITH high winds and occasionally with hail, and here in Kamloops, British Columbia, are often felt in one part of the city and not in others. Being a city of roughly 90,000, built around, about, and on top of mountainous terrain, the overall elevation is about 350 meters (1,125 ft).  There can be terrible flashes and crashes and gusts–much huffing and puffing–with the promised deluge itself being delivered everywhere else but on our crispy, thirsty yard and gardens.

'Mountain Storm'

‘Summer Storm’ 

watercolour, 30cm x 23cm, (12″ x 9″), Arches Cold Press 140 lb. paper,

G.W. Weisser Collection

THE SOUTHERN INTERIOR  of British Columbia is a desert-like landscape, plunging steeply into geologically-unique valleys that include rattlesnakes, a ground-creeping variety of prickly pear cactus, sagebrush, and tumbleweed.

I ACCIDENTALLY DISCOVERED the local cacti by casually placing my hand on top of one in our backyard shortly after we’d moved to our current home.

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local prickly-pear cactus

OUR BACKYARD as such, is mostly mountain ridge, covered in these low-lying cacti, sagebrush, and outcropping of rock.

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Local terrain

RUNNING UP AND DOWN OUR RIDGE are flocks of Chukar Partridges–a bird which belongs in ‘Roadrunner’ cartoons.  Their name is derived from their ‘chuk-chuk-chuk-CHUK-CHUK-CHUKCHUKCHUKCHUK!!!’ call (who needs an alarm clock?).  Below is a not-very-good photo of one (they are always on the run, making my camera skills not up to the task)….

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local Chukar Partridge

NEARBY US is a very geologically-dramatic area called The Tranquille Creek Gorge.

Lower Tranqulle River

PAINTING THIS TERRAIN ON LOCATION has to be done rather quickly (depending on the time of day), as temperatures can go up to 40C and the sun is relentless due to the lack of trees, and thus, shade….

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watercolour sketch, tranquille creek

COMING HERE FROM THE WET AND RAINY B. C. COAST, it has taken me years to come to fully appreciate the beauty of an arid area such as ours.  But now that my eyes are open to the subtlety, I wouldn’t return to all that green for anything in the world.  I’m happy in the depth of our browns (smile).

ARTIST TRADING CARDS aka ART CARD EDITIONS AND ORIGINALS are popularly known as ACEOs. ACEOs are the size of baseball cards–65mm x 89mm (2.5″ x 3.5″) and are purchased and then traded and sold the way sports cards are.  The ACEO movement originated in Switzerland in the 90s but grew in popularity through eBay, where art cards are now sold and bought on a 24hr basis.

They require precision and are very enjoyable to do.  But then, who wouldn’t be fascinated by the challenge of painting tiny things (smile).  The subject matter can be chosen by the purchaser, and the painting done accordingly.

 

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Local Mountains 2

April 9, 2015

THIS COMPLETED PAINTING of the mountains in our Kamloops area was in need of cropping in order to strengthen the composition . . .

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THE PAINTING WAS REDUCED IN SIZE down to this as the completed painting .. .

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THE CHOPPED OFF parts of cropped work can successfully be made into bookmarks, I’ve found, and then be sold for around $2 ea in our little co-op Gallery (www.kamloopscourthousegallery.ca).  Waste not, want not, lol!

 

Local Mountains

April 8, 2015

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A decision has to be made as to whether this painting ‘holds up’, composition-wise.  It succeeds in conveying the misty atmospheric conditions of winter in the mountains.  But the composition is troubling me.

D Day for me is May 1st.  That is when Lynda Jones and I are teaming up to be The Featured Artists at The Old Courthouse Gallery here in Kamloops.  Lynda is a rare and amazing potter who specializes in highly burnished smoke-fired pieces and counts among her collectors the former U. S. President Clinton.

Here is the fantastic poster she has designed:

PAIR' A LLs E-POSTER MAY 2012 Courthouse Gallery

The Local Cliffs subject I’ve been doing studies of has finally been completed as a work I’m satisfied enough to allow to be matted and framed.

"Cinnamon Ridge Signal" 7.5" x 9", Arches 140 lb. Cold Press Paper

One thing I’ve learned through doing it, is that this small size of 7.5″ x 9″ is very pleasing for me.  It is large enough to include a good amount of detailing, and small enough to get finished in a timely way.

And now it is on to getting painting #2 for the show done before our May 1st opening.  Thank you for your previous comments which helped me in producing the final result!

About ten minutes from our house is  ‘Cinnamon Ridge’.  These are cliffs with very distinctive geologic caves and ‘hoodoos’ caused by wind erosion.  Though not around at the time (I was but a gleam in my parents’ eye) 50 million years ago, the Kamloops region of British Columbia (from the Native word Tk’emlups–‘where rivers meet’) was the source of great volcanic activity, and formed the seafloor of the ancestral Pacific Ocean.

Not far from Cinnamon Ridge is a loose shale shelf where my friends go to collect fossils.  These fossils indeed prove this area which is so very dry, was once water-covered.

I’ve now done two studies of Cinnamon Ridge (so named because of its rich colour).  The first is a small watercolour sketch about 4″ x 8″

 

'Cinnamon Ridge' watercolour sketch

 

The second is a more detailed and focused piece around 8.5″ x 12″.  It has some issues as far as values go (it’s a bit too light and lacking in contrast), as well as a composition issue having to do with the train signal being much too far to the left.

 

'Cinnamon Ridge' Study II

 

And here is the photo both studies are based on:

 

reference photo of Cinnamon Ridge

 

The final painting must be ready for hanging on May 1st.  So I am now about to do Study III, which will hopefully end up graduating from being a study to being worthy of mat and frame.

Painting is much like cooking.  Too little salt is as much a turn-off as too much.  Getting things just right wasn’t just a problem for Goldilocks.

 

‘The Silt Bluffs II’

February 26, 2012

The landscape of Kamloops, British Columbia, (native word meaning ‘dividing of waters’–the Thompson River divides mid-city to create the North and South Thompson), varies remarkably.

Think of a city at 1132 ft. elevation with homes built in terraced-layers down one mountainside and up another, all finding bottom along the broad Thompson River which attracted the attention of The Hudson Bay Company in 1811.  Since then Kamloops has become a train hub, a location for gold prospectors seeking their fortunes, and more recently a centre for the forest industry.

It is arid here.  Summers are hot and dry, and rain is an event.  Winters are cold, windy, with average amounts of snow, and a major spot for skiers and snowboarders at the highest elevations.  When I walk the dog at 5 a.m., I always hear owls and sometimes coyotes, and occasionally spot a few deer searching for something in the yards below the mountain ridge we hug up against.  I’ve also come across black bear in the car port, and seen the evidence of moose.

This painting is of what’s locally referred to as The Silt Bluffs.  They feature hoodoos, free-standing rock formations caused by wind erosion.

 

'The Silt Bluffs', 5" x 7" Original and signed Watercolour on Arches Hot Press 140 lb. Paper, $100.00 black-matted & framed in gold

 

 

The most prevalent raptors in our area are the Red-Tailed Hawk, Golden and Bald Eagles, Osprey, and Turkey Vultures.

 

 

The Columbias

February 10, 2012

For seven summers I was the cook for The British Columbia Natural History Society.  In 1994 I graduated from The Dubruelle French Culinary School in Vancouver, and ran a kitchen at a small residence on the UBC Campus.  This left my summers free, and I took on the task of prepping to feed upwards of sixty hikers at elevations upwards to some 3000 m., or approximately 10,000 ft.

It involved cooking and then packing vacuum-sealed , frozen meals in large chests with dry ice before joining the caravan of cars towards the mountain destination of choice.  Once at the base, everything–including me–was hauled to the summit in a net-outfitted  helicopter, and the business of setting up the huge kitchen and dining tents was begun.  Frequently it was snowing up top–though only twenty minutes before I’d been roasting in the July heat–leaving me scrambling to find my parka.

The challenge was to get everything unboxed and laid out in some semblance of order–while ensuring the burners were properly hooked up to giant propane tanks–so that all-important first meal could be served some three hours later.  After that, I could do the washing-up and at least semi-relax by first getting my little tent set up and then getting myself organized enough to be able to do breakfast when I awoke at 4 a.m.

By Day Three (of the ten day experience), it felt like I’d lived there my whole life, and could spend my days doing watercolours while the hikers tramped all over the rugged terrain carrying the bagged lunches they packed for themselves after dinner the night before.  Once I’d served their breakfast, they’d stroll about with final cups of coffee making sure I overheard their latest Grizzly Bear spotting stories.  Then they’d be off, leaving me sitting there all day minding that food all by myself.

Here is a painting from one of those seven summers.  And though I can’t be entirely positive, I believe this particular view is from the Eastern British Columbia Mountain Range known simply as The Columbias.

 

Glaciers in The Columbias

 

 

And yes, I did see Grizzlies, but only from a distance.

thank god.

 

 

 

 

 

 

Rainy Day Study I

January 23, 2012

Golden Ears Provincial Park is one of the largest in British Columbia (over 62,500 hectares;1 hectare=2.47 acres) and features the pristine Alouette Lake. It also has three campgrounds and hiking trails through extremely rugged terrain.  Vegetation is typical of the coastal western Hemlock forest of BC and the mountainous backcountry is not only rugged but has–almost annually–proven fatal to the unprepared.  Those who go off are cautioned to understand what they’re getting themselves into.

Normally, Alouette Lake looks just like this . . .

Alouette Lake, Golden Ears Provincial Park (courtesy of Parks B. C.)

But the day I attempted to paint this scene, it started out very foggy, then changed to drizzle, then showed some promise of clearing-up.  I was in the camping area that was the most primitive, and of course only when I decided to begin painting did it actually start to full-out pour.  By then I was so into it that I had to keep going, even though drops were falling directly onto my work-in-progress (though I did have a make-shift tarp).  But to this day, this is one of my most favourite paintings because even though it has its distortions, I didn’t give in and stayed until I finished it . . .

'Alouette Lake Study'

I can still smell the coleman stove coffee and feel the warmth of the mug against my numb fingers as I celebrated by putting my brushes away–and swearing I’d never paint another #%$#!@# watercolour again in my life.

Mount Peter

January 21, 2012

To look up the face of Mount Peter– (the sibling of the larger Mount Paul), the signature mountains overlooking our city of Kamloops, B. C.–is to look upon the core of a mountain. These are mountains so ancient, all that remains are the inner cores–their souls.  Time and erosion have scarred and left them displaying a beauty it takes the eye a while to appreciate.

The roads about their base feature yellow diamond warning signs cautioning drivers to watch for Big Horn Sheep.

Big Horn Sheep (courtesy Wikimedia)

As a watercolourist, it took me a good two years before I attempted the challenge.  They are unusual subjects, and not easily rendered.  It was wise for me to wait, simply because I was so accustomed to the forested peaks of the Coastal Mountains that I regarded these as ugly. Until they finally become beautiful to the newly-arrived, these ancient and weather worn heights are probably best not attempted at all by art enthusiasts like me.

'Peter's Face'

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