…..Keeping Watch

April 7, 2016

Our little Gallery in the small city of Kamloops, B. C.’s historic Courthouse (1911) has a Featured Artist offering every month and May will be my month to put on a display of recent miniatures.  So now it is a matter of working towards having a good showing.

Raven Watch

“Keeping Watch”

watercolour on Saunders Hot Press #140 lb paper, 4″ x 6″

I can’t quite explain why it is that depictions of Ravens sell so well, but they do.  So it is a pleasure to be able to comply and feed the need, so to speak.  They are indeed a very symbolic and ancient bird whose fame is heralded in many countries and cultural legends concerning them abound.

Out taking photographs of them this week, I came across a pair whose size was truly astonishing and whose throaty calls echoed off the nearby boulders and across the wide Thompson River.  Once that is accomplished, it is a matter of trying to place them in a scene which has definite mood and emotional impact.

….eggciting week ahead

March 20, 2016

Painting eggs is something of a little hobby which began almost 35 years ago when the process of the dyed Ukrainian eggs was intriguing from an artistic point of view–meaning, the way/how it was done, not the desire to become overwhelmed with making intricate geometric designs.  So employing the method of using beeswax to wax over those parts of an egg one wanted kept white, then dropping the egg into coloured dye, again waxing over the area which would retain that dye’s colour, and dropping it into yet a different coloured dye and repeating the process until the entire egg was covered in wax.

At this point, the wax was removed by carefully holding it over a candle flame and wiping the melted wax free with a tissue.  Once the wax was removed, the egg was blown of its contents and if being used as a Christmas tree ornament, a string was affixed to the top.

Here is an example…..

duck eggs, email size

Quite a number of years later, the notion of doing away with the dye/wax method in favour of actually painting on the egg’s surface was experimented with.  This was successful but a huge breakthrough occurred when moving from painting chicken eggs to painting duck eggs.  A duck egg’s surface is not chalky like chicken eggs, but rather satiny smooth and extremely receptive to watercolour.  This was discovered while staying in The Philippines, where duck eggs were easily come by.

Painting a duck egg would be done, then the egg would be spray-lacquered so as to protect and seal the watercolour-painted surface.  Once completely dry, the insides would be blown out….

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……and in honour of the 6th day of Christmas….

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….which brings us to today and trying to replicate a moonlit rocky mountain scene on a duck egg purchased locally ($3.50/half doz) through craigslist and meeting the man carrying his trusty picnic cooler outside the supermarket:

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A very Happy and Blessed Easter to all my blogging friends!

 

….Raven Moon

March 5, 2016

Ravens sell very well in this neck of the woods, partially because they figure so prominently in our local Native legends–and partially because they are, as a species, so singular and distinctive.  A customer pointed out to me that whereas Crows are very social (gathering together in great numbers), Ravens are solitary.  Perhaps one of you can verify this comment–or add a correction?

This painting is 2.75″ x 1.75″ and, instead of putting it behind glass for protection, the decision was made to spray it with a durable fixative so the piece has more immediacy when viewed.  I did include the glass in case the customer wishes to provide greater protection.

 

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These bird miniatures can also be purchased from me through weisserlance@gmail.com for $30US (postage costs additional) unframed, $35US framed.  Some buyers have chosen to select a suitable frame themselves locally and then email me the size the painting must be to fit their chosen frame.  Then it is simply a matter of mailing off the painting in an envelope–easy-peasy.  I have painted everything from someone’s favourite parrot (our late, great friend George Weaver’s prize pet) to exotic birds seen on a favourite trip and painted from a photograph supplied via attachment.

 

 

 

 

 

more night

June 5, 2015

I KNOW, I KNOW, it’s June.  I’m incurably attracted to Autumn and Winter, most likely because they are for me what I’d describe as cozy seasons, where a sweater serves perfectly.

ADMITTING to age preferences is slightly embarrassing, but only slightly.  Heat is no longer an attraction to me, weather-wise, and here it is June 5 and in two days it will be going to 92F (33C).  Now please, do NOT misinterpret this as whining.  I’m not (right now), but rather simply stating a preference in order to justify posting this painting….

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‘Pale Moon’, Watercolour on Arches Hot Press 140 lb Paper, 13cm x 18cm (5″ x 7″)

WHEN PAINTING,  I admit to finding it more satisfying to express feeling through stark scenes with diminished-light.  For one thing, the above place is not one many people would find themselves visiting at that hour in that weather.  It therefore brings us in as though inviting a search for Snowy Owls on the prowl, or a pack of Grey Wolves threading a path back to the lair.

raven moon

May 20, 2015

PAINTING NIGHT has become something of a preoccupation.  On a very bald and pedestrian level, one could simply say that ‘night sells’.  However, it is the ‘why’ which is intriguing–why do scenes of watercolour-rendered night have an appeal.

raven winter aa

‘Raven Moon’, watercolour, 35cm x 25cm (14″x10″), Art Board, (sold)

THERE IS A FASCINATION over what goes on in nature while we are sleeping.  When walking the dog at 4 a.m., there are owls hooting, deer eating in people’s yards, the occasional cries of coyotes, and the enduring scent of lilac.

HEARING, TOUCHING, SMELLING all come alive, while seeing is at the pleasure of the muted moon–at once reassuring and mysterious.

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