Sentinels
December 19, 2019
It is something a fascination how one species of bird spends its nights, in comparison with another. What they all have in common is a desire to feel protected and beyond the reach of nocturnal predators, like owls.
Ravens and crows go the safety in numbers route, heading in groupings to mutually accepted trees, with crows being particularly fond of the-more-the-merrier approach, with sometimes upwards of several thousand roosting at one time. Ravens are less inclined to roost in gigantic numbers, and confine themselves to congregate with family and ones they’ve bonded with.
‘Nightwatch’
watercolour on art board by Lance Weisser
4.5″ x 7″ [sold]
Raven Trio
March 10, 2018
Portraying moonlight is something of an intriguing interpretation for painters. Some, like the famous American painter Frederic Remington, chose a greenish hue for its earthly glow….
Others, like the American painter Maxfield Parrish, often used yellow as the predominant colour of moon glow….
I’ve noticed other painters depicting the colour of moonlight in hues of blue. And in this little painting of Ravens, my choice is sepia and white….
‘Three Ravens‘, 8″ x 10″, Arches Hot Press 140 lb Paper, Sold
By including my own, I’m certainly not attempting to put myself in the league of a Parrish or Remington–but merely drawing attention to how our eye finds mystery in the way the moon reflects and illuminates the landscape. When I go outside on a full moonlit night, I feel it is a blueish reflection on snow, and more earth-toned on our backyard mountain and rocks. And even though I never quite manage to see moonglow as green, I simply adore Remington’s moonlit scenes and illustrations. He convinces me it really is green!
What is it for you?
‘Raven Nights’
February 20, 2018
In keeping with my fascination over trying to capture night in watercolour, here’s another attempt at mood and texture:
‘Raven Nights’, watercolour on Saunders Waterford Hot Press 90 lb. paper, 9″ x 10″, Sold
