The Way Home
January 4, 2021
The Way Home
Many dreams I have dreamed
That are all now gone.
The world mirrored in a dark pool,
How unearthly it shone!
But now I have comfort
From the things that are,
Nor shrink too ashamed from the self
That to self is bare.
More than soft clouds of leaf
I like the stark form
Of the tree standing up without mask
In stillness and storm,
Poverty in the grain,
Warp, gnarl, exposed,
Nothing of nature’s fault or the years’
Slow injury glozed.
From the thing that is
My comfort is come.
Wind washes the plain road:
This is the way home.
Robert Laurence Binyon (1869 – 1943)
Binyon, an English poet, dramatist, and art scholar is most know for his Remembrance Day poem, ‘For The Fallen’, which reads in part:
“They shall not grow old, as we that are left grow old
Age shall not weary them, nor the years condemn
At the going down of the sun, and in the morning
We will remember them.”
Taste of Spring
April 17, 2018
A painting drawing on a style in keeping with children’s books illustration, this painting was done for my niece and great-niece and nephews. It was done more than ten years ago now, and is of a fictional place that now seems more like Middle Earth than anywhere else.
Taken by a low grade camera through glassed-in frame, I hesitated before posting this….
‘Fields of Home’, watercolour by Lance Weisser
Arches Hot Press 140 lb paper,
10″ x 16″
collection of R. Jones & Family
Pinantan Country
March 5, 2018
Pinantan Lake is about twenty minutes from Kamloops, British Columbia, where we live. It is a small community spread around the little lake’s perimeter and prides itself on being independent, artistic, and avant garde.
Although this painting is not of an actual barn or photographed scene, it attempts to capture the spirit of what the area looks like under a snowy mantle when viewed from the road leading towards the lake. I’ve done it from my collective memory, rather than choosing to make use of photographs or while on location.
‘Pinantan Country’, watercolour on Saunders Waterford Hot Press Paper 90 lb., 9″ x 12″ Sold
‘The Way Home’
January 24, 2018
In the spirit of watercolour experimentation, it was interesting to take ordinary white mat board and coat it with a thin layer of clear acrylic medium. The board then had to dry for a good 24 hours. The experience when painting is one of finding it acts as a kind of resist while providing a rather intriguing texturing quality.
It is a bit tricky because there’s no wet-in-wet opportunity, or much reworking/touching up or the acrylic medium will moisten and lift from the surface and become gummy. So getting one crack at it is pretty much all one gets, making every brushstroke really count.
The Gleaners
April 30, 2015
THE GLEANERS is a renowned painting by Jean-Francois Millet, finished in 1857.
It was controversial in France for its depiction of the lowest classes of society, picking from the fields what little was left after harvest. Prior to this, paintings of people were usually paintings of people who were rich enough to have their portraits done.
THERE WILL ALWAYS BE GLEANERS, as we know. And each of us, in our own way, were often taught by our parents to make good use of every last bit of something, including the meal(s) in front of us.
IN THE ANIMAL WORLD, Ravens are gleaners supreme, going after what little remains of just about anything left behind, tossed aside, or just there for the taking. Yesterday I encountered one in the parking lot of our local Mall, hopping about a garbage can with a broken wing, waiting for someone to provide some slim pickings. Its noble bearing and size–the gloss of its plumage, the inherent dignity–only added to the poignancy of its situation. And yet, it wasn’t exhibiting signs of pain or discomfort, just a keen willingness to take what it could get and survive. And glean.
One Room School
January 3, 2012
Not far from Kamloops is the lovely rural town of Pritchard. On Duck Range Road was an old one room schoolhouse that was ‘adopted’ by a local farmer who had attended it as a boy and hoped some community-minded group would see to its preservation and restoration.
Unfortunately, that never happened and in the summer of 2011, it was finally knocked down. Although this painting takes some liberties over the school’s original setting, the rendering of the building itself is true to the way it looked. It was hung in The Federation of Canadian Artist’s Open Show in The Old Kamloops Courthouse, and was a favourite in a fund-raising draw for The Federation.