book cover

August 11, 2015

Leon Idriz Azevedo is a Brazilian author who requested the use of the painting “Raven Moon” for the cover of his recent Novel “The Desert of My Eyes” (“O Deserto Dos Meus Olhos”).

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The Novel (currently available in Portuguese) finds the main character, Rupert Lang, thrown into a historic quest to seek the remains of what he stumbles upon as a ‘lost identity’ — taking him through ‘the Spanish court of the reign of Isabel II, the streets of Prague Johannes Kepler and the halls of a Buddhist temple built on a cliff in China’.

“. . . What could have been lived and what is suspected from the imagination receive equal value, challenging the reader to trust the chaos and find answers and truths in the improbable . . . “

A miniature of the new book’s cover has just been painted and is wending its (slow, ship-bound way) to Brazil, with best wishes and hopes Mr. Azevedo receives great reviews and even greater public readership of this new adventurous Novel.

My hope is that I’ll soon be able to read it in English.

http://www.amazon.ca/Deserto-dos-Meus-Olhos-Portuguese-ebook/dp/B01366YVZE/ref=sr_1_1_twi_kin_1_ku?s=digital-text&ie=UTF8&qid=1439291465&sr=1-1

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raven moon

May 20, 2015

PAINTING NIGHT has become something of a preoccupation.  On a very bald and pedestrian level, one could simply say that ‘night sells’.  However, it is the ‘why’ which is intriguing–why do scenes of watercolour-rendered night have an appeal.

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‘Raven Moon’, watercolour, 35cm x 25cm (14″x10″), Art Board, (sold)

THERE IS A FASCINATION over what goes on in nature while we are sleeping.  When walking the dog at 4 a.m., there are owls hooting, deer eating in people’s yards, the occasional cries of coyotes, and the enduring scent of lilac.

HEARING, TOUCHING, SMELLING all come alive, while seeing is at the pleasure of the muted moon–at once reassuring and mysterious.

The Gleaners

April 30, 2015

THE GLEANERS is a renowned painting by Jean-Francois Millet, finished in 1857.

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It was controversial in France for its depiction of the lowest classes of society, picking from the fields what little was left after harvest.  Prior to this, paintings of people were usually paintings of people who were rich enough to have their portraits done.

THERE WILL ALWAYS BE GLEANERS, as we know.  And each of us, in our own way, were often taught by our parents to make good use of every last bit of something, including the meal(s) in front of us.

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IN THE ANIMAL WORLD, Ravens are gleaners supreme, going after what little remains of just about anything left behind, tossed aside, or just there for the taking.  Yesterday I encountered one in the parking lot of our local Mall, hopping about a garbage can with a broken wing, waiting for someone to provide some slim pickings.  Its noble bearing and size–the gloss of its plumage, the inherent dignity–only added to the poignancy of its situation.  And yet, it wasn’t exhibiting signs of pain or discomfort, just a keen willingness to take what it could get and survive.  And glean.

Silt Bluffs

April 26, 2015

THE KAMLOOPS REGION is a geological wonder.  50 million years ago, volcanoes erupted and volcanic ash and lava covered the land, and their record is preserved in fossil beds throughout the area. Ancient rivers carved the landscape, forming the modern valleys of the Thompson Rivers and, during the Ice Ages, ice sheets carved the valleys and rounded the plateaus and mountains in the Kamloops area.  (sourced from ‘Tourism Kamloops’ website)

THIS PAINTING is of a local geological formation called The Silt Bluffs.  In the height of summer they are baked by a 40C sun, and are the home of rattlesnakes and cacti . . . and Ravens.

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“The Silt Bluffs”

23cm x 30.5cm (9″ x 12″), watercolour, 140 lb. Arches Hot Press Paper, sold

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