Taste of Spring
April 17, 2018
A painting drawing on a style in keeping with children’s books illustration, this painting was done for my niece and great-niece and nephews. It was done more than ten years ago now, and is of a fictional place that now seems more like Middle Earth than anywhere else.
Taken by a low grade camera through glassed-in frame, I hesitated before posting this….
![Sept2009045[1]ab](https://weisserwatercolours.files.wordpress.com/2018/04/sept202009200451ab.jpg?w=447&h=111)
‘Fields of Home’, watercolour by Lance Weisser
Arches Hot Press 140 lb paper,
10″ x 16″
collection of R. Jones & Family
The ‘how’ of ACEOs
April 6, 2018
To gain more know-how about the way ACEOs are collected and acquired, just go to eBay and view the huge number of them being sold/auctioned: https://www.ebay.com/sch/i.html?_nkw=aceo+original+painting&_sacat=0&_from=R40
You’ll see the quality contrasts, the styles, the subject matter variety, the variety of mediums, too–as well as price, with some going for $40/ea to $1/ea.
Below are examples of how I personally approach doing ACEOs:
‘A Westsyde Winter’, ACEO by Lance Weisser, Arches Hot Press 140 lb Paper, sold.
Once one of mine is matted and framed, it is generally priced at $25 to $30US. Unframed, $20US. But I’m not beyond letting interested people barter for them because what is most pleasing to me is having a person get an original watercolour that is within his/her means. As painters, we really just want people to enjoy what we do, and know our work is being appreciated and displayed.
If interested, please just email me at weisserlance@gmail.com.
I can work from an emailed attached photo, or your personal subject matter ideas. It can be mailed to you wherever you may be — postal costs will be built into the final price 🙂
Stage Two: Waxwing Watercolour
February 5, 2018
1) They are named Waxing because they sport red wax-like accents on the tips of their secondary feathers;
2) Although they eat insects during Summer months, they thrive on berries the rest of the year and, in our part of British Columbia, go about in groups to feast on Mountain Ash berries;
3) If there is a cluster of berries hanging from the tip of a long branch that only a single bird can reach, sometimes the rest of the group will line up and pass berries beak-to-beak down the line allowing each bird the opportunity to feed.
Audubon Print
Its fondness for the small cones of the eastern red cedar is why this particular Waxwing is called ‘Cedar’ Waxwing. (My first post is mistaken in assuming they are not found in Eastern N. America. They are–but I just wasn’t privileged to spot any when growing up in upper New York State.)
Cedar Waxwing watercolour-in-progress, Saunders Waterford Hot Press Paper 140 lb.
[above facts gathered from Cornel Ornithological and Wikipedia websites]
Great Nephew II
January 17, 2012
About the scariest thing in my younger days was our basement, which featured a gigantic coal-fed furnace complete with horrifying facial qualities. The grill was its mouth, and I went down there only to fling my soggy snowsuit over one of its tentacle arms in order to then put on a freshly-dried suit. Once done, I’d try not to peek at the flames licking at the hideous mouth as I raced back out into the snowball fight du jour.
Tied for second in the scary department was the black-and-white-filmed 1951 classic “A Christmas Carol” starring Alistair Sim, (whose facial qualities were probably borrowed by the designer of the furnace grill). It was back then a relatively new movie and always gave me recurring nightmares.
I happened to be taking a few snapshots when the older of my two Great Nephews was watching that very same 1951 “A Christmas Carol’ in 2006. Up till then he wasn’t allowed to see it (which restriction I wish my own parents had imposed on me), so this was his very first glimpse at Jacob Marley screaming his way through Scrooge’s bed chamber walls.
'Marley's Ghost Makes an Appearance'
His Aunt and Uncle are obviously ‘Christmas Carol’ vets, regarding the shrieking spirit as ‘just an undigested bit of beef’.
This painting was juried into one of The Federation of Canadian Artists’ Open Shows a couple of years ago. The words ‘Open Show’ indicates that the show is open to all qualifying artists across Canada.
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