….cedar waxwing
April 23, 2016
As a kid, having to enter the annual Science Fairs in Jr. High–the ones where invited experts walked around with clipboards trying to find possible prize winners–I had exhibits which were often concerned with birds–songbirds, usually–their migration patterns and predators, and fun facts.
I never won a prize. That usually went to kids who electrocuted themselves voluntarily in order to prove water and wires don’t mix–or the kids who cross fertilized seeds and created vegetative freaks.
The shortlist I had then in the 50s (living in upper New York State) was to see any kind of Bunting (they looked outrageously colourful), our State Bird the American Bluebird (which I never did see, and still haven’t), any kind of Tanager, and of course, any kind of Waxwing.
“Berry Picking”
Cedar Waxwing, 4″ x 6″, watercolour, Saunders Waterford Hot Press 140# Paper
Having lived now in seven different Canadian locations, from coast to coast, I’ve been able to photograph a Western Tanager in our front garden, a pair of Mountain Bluebirds (astonishingly blue), and a group of Cedar Waxwings which descended on our Red Maple branches and began dismantling a Robin’s nest, rather than having to bother scavenging their own material.
The Waxwings were much smaller than expected, and every bit as fascinating as I’d hoped. Their ‘bandit’s mask’ gives them an allure other birds lack, and their interesting ‘song’ and penchant for travelling about in flocks makes them worth having to wait 60 years to see them.
….Chickadee Miniature
April 21, 2016
This Winter along with the usual Mountain Chickadees at our feeders, we were pleased to have Black-Capped Chickadees as well. Coming from Eastern parts, they are the ones associated with childhood and so have a special place for me.
Right now we are experiencing amazingly warm temperatures–85F (30C)–and gardening is ramped up as a result. Dividing time between perennials and painting is a pleasure. As an Autumn and Winter person, I continue painting with that pallet of tones and colourations, and so ask you to cut some slack if/when I post snow scenes in April.
‘Pause That Refreshes’
5"x 7", Watercolour, Saunders Hot Press #140 paper
Cool Facts
- The Black-Capped Chickadee hides seeds and other food items to eat later. Each item is placed in a different spot and the chickadee can remember thousands of hiding places.
- Every autumn Black-capped Chickadees allow brain neurons containing old information to die, replacing them with new neurons so they can adapt to changes in their social flocks and environment even with their tiny brains.
- Chickadee calls are complex and language-like, communicating information on identity and recognition of other flocks as well as predator alarms and contact calls. The more dee notes in a chickadee-dee-deecall, the higher the threat level.
- Winter flocks with chickadees serving as the nucleus contain mated chickadee pairs and nonbreeders, but generally not the offspring of the adult pairs within that flock. Other species that associate with chickadee flocks include nuthatches, woodpeckers, kinglets, creepers, warblers and vireos.
- Most birds that associate with chickadee flocks respond to chickadee alarm calls, even when their own species doesn’t have a similar alarm call.
- There is a dominance hierarchy within flocks. Some birds are “winter floaters” that don’t belong to a single flock—these individuals may have a different rank within each flock they spend time in.
- Even when temperatures are far below zero, chickadees virtually always sleep in their own individual cavities. In rotten wood, they can excavate nesting and roosting holes entirely on their own.
- Because small songbirds migrating through an unfamiliar area often associate with chickadee flocks, watching and listening for chickadee flocks during spring and fall can often alert birders to the presence of interesting migrants.
- The oldest known wild Black-capped Chickadee was at least 11 years, 6 months old when it was recaptured and re-released during banding operations in Minnesota.
source: https://www.allaboutbirds.org/guide/Black-capped_Chickadee/lifehistory
….House Finch miniature
April 16, 2016
It is so heartening to have requests from bloggers and site visitors who have arranged to have original bird miniature paintings sent to them. The last posting of the Raven miniature, “Keeping Watch”, is currently winging its way to Hawaii, and the March 5th miniature entitled “Raven Moon” is sitting on Byron’s desk in Wisconsin. Another of a wintering Chickadee is with its new owner, Cynthia the poet, https://littleoldladywho.net/ in Maine.
Some bird species are seemingly germain to just about anywhere, the House Finch being one. When we moved from Eastern Canada to extreme Western Canada, there they were. And on fellow blogging sites like H. J. Ruiz’ Avian 101 (https://avian101.wordpress.com/), there they are in the Peach State of Georgia.
‘House Finch’ — watercolour on Saunders Waterford 140# Hot Press Paper, 2.5″ x 4″
They are, along with wintering Goldfinches, the most frequent visitor to our feeders, and have such a delightfully melodious song. Unlike the slightly larger Purple Finch which probably isn’t found in the West, they do not so much look like they’ve been dipped in raspberry concentrate, as they’ve stuck their heads in wild cherry cream soda. Their disposition is mild, insofar as they aren’t pushy or argumentative when at the feeders. If another species is bossy, they simply flit down to the snow and eat the remains below, along with the Juncos.
If you are ever interested in owning one of these posted bird miniatures, simply email me at: weisserlance@gmail.com and we’ll work out the arrangements. Thank you to all who are so very supportive in comments and visits!
…..Keeping Watch
April 7, 2016
Our little Gallery in the small city of Kamloops, B. C.’s historic Courthouse (1911) has a Featured Artist offering every month and May will be my month to put on a display of recent miniatures. So now it is a matter of working towards having a good showing.
“Keeping Watch”
watercolour on Saunders Hot Press #140 lb paper, 4″ x 6″
I can’t quite explain why it is that depictions of Ravens sell so well, but they do. So it is a pleasure to be able to comply and feed the need, so to speak. They are indeed a very symbolic and ancient bird whose fame is heralded in many countries and cultural legends concerning them abound.
Out taking photographs of them this week, I came across a pair whose size was truly astonishing and whose throaty calls echoed off the nearby boulders and across the wide Thompson River. Once that is accomplished, it is a matter of trying to place them in a scene which has definite mood and emotional impact.
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