….eggciting week ahead

March 20, 2016

Painting eggs is something of a little hobby which began almost 35 years ago when the process of the dyed Ukrainian eggs was intriguing from an artistic point of view–meaning, the way/how it was done, not the desire to become overwhelmed with making intricate geometric designs.  So employing the method of using beeswax to wax over those parts of an egg one wanted kept white, then dropping the egg into coloured dye, again waxing over the area which would retain that dye’s colour, and dropping it into yet a different coloured dye and repeating the process until the entire egg was covered in wax.

At this point, the wax was removed by carefully holding it over a candle flame and wiping the melted wax free with a tissue.  Once the wax was removed, the egg was blown of its contents and if being used as a Christmas tree ornament, a string was affixed to the top.

Here is an example…..

duck eggs, email size

Quite a number of years later, the notion of doing away with the dye/wax method in favour of actually painting on the egg’s surface was experimented with.  This was successful but a huge breakthrough occurred when moving from painting chicken eggs to painting duck eggs.  A duck egg’s surface is not chalky like chicken eggs, but rather satiny smooth and extremely receptive to watercolour.  This was discovered while staying in The Philippines, where duck eggs were easily come by.

Painting a duck egg would be done, then the egg would be spray-lacquered so as to protect and seal the watercolour-painted surface.  Once completely dry, the insides would be blown out….

duck eggs, email size a   OLYMPUS DIGITAL CAMERA  OLYMPUS DIGITAL CAMERA

……and in honour of the 6th day of Christmas….

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….which brings us to today and trying to replicate a moonlit rocky mountain scene on a duck egg purchased locally ($3.50/half doz) through craigslist and meeting the man carrying his trusty picnic cooler outside the supermarket:

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A very Happy and Blessed Easter to all my blogging friends!

 

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…..carabao

July 11, 2015

MY PARTNER RAUL is from The Philippines, and we’ve been together now 12 years, married (with my sister officiating) in 2008.  We met online in 2003, and a month later I flew to Manila where he met me at Aquino International Airport.  My sponsorship of him as my ‘conjugal partner’ brought him here in 2007, and Raul is now an LPN, whose specialty area is Geriatrics.

The small Barangay of San Jose, Plaridel, Bulacan, features rice fields whose rhythms set the tone for the annual life cycle of villagers and livestock, including the stolid and dependable beast of burden, the Carabao.

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“Bulacan Dawn”, watercolour, 43cm x 74cm (17″ x 29″), Arches Cold Press Paper 140 lb

Water buffaloes are well adapted to a hot and humid climate. Water availability is of high importance in hot climates since they need wallows, rivers or splashing water in order to reduce the heat load and thermal stress. They thrive on many aquatic plants and in time of flood will graze submerged, raising their heads above the water and carrying quantities of edible plants. They eat reeds, giant reeds, bulrush, sedges, water hyacinth and marsh grasses. (source: https://en.wikipedia.org/wiki/Carabao)

There is something so completely humbling about how humans are graced with the educational presence of massively-strong animals whose disposition is nonetheless docile, coupled with a willingness to be put to work with little being asked in return.  My three stays in The Philippines of some 6 weeks each, allowed me to learn from the perfect symbiosis of rice worker and carabao, whose calm partnership in the tending of the greenest of green fields was both reassuring and a powerful living metaphor.


			
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