inspiration galore!
July 6, 2015
THERE ARE TODAY few watercolourists with the mastery, control, spontaneity and lyrical grace of Joseph Zbukvic, an Australian painter who emigrated from Zagreb in 1970, and took up watercolour in his adopted country.
He is among a handful of true masters of classical watercolour technique, due to an ability to transform veritably any subject into visual poetic language.
Adroit and seemingly effortless whether out on location or in the studio, Joseph Zbukvic’s handling and style builds on a foundation of an accurate, yet freely-rendered underdrawing, the suggestion of detail, a flawless sense of both composition and values, sparing yet daring choices, brought off with efficiency and dashed-off finishing touches of highlighting contrast.
This calibre of painting keeps any student of the medium of watercolour inspired and wanting to stretch and keep striving. It is a wonderful thing to see how high the watercolour bar can be set!
blue moon
July 4, 2015
Because watercolour basically amounts to taking white paper and staining it with various colours by way of a brush and water-activated pigments, the possibility of texture using a buildup of paint, gesso, gel medium and other ‘helps’ available to painters in acrylic and oil just isn’t there. IOW, in classic watercolour technique the word ‘impasto’ doesn’t exist.
Some painters get around this disadvantage by way of collage, and apply watercolour to glued on tissue and similar textural material…..
“Forest Forager”, watercolour and collage by Shari Hills, source: httpwww.drawntothevalley.co.ukartistsdetailshari-hills
Here, the painter, Sheri (Colours by Sheri), used ‘delicate papers’ as a glued foundation to provide textures which then received watercolour paint to complete the effect. On her site she describes how she also has used organic leaf material at times.
“Winter’s Chill”, watercolour collage, Colours by Sheri, source: httpwww.coloursbysheri.comcurrent-series.html#sthash.aUBXtd8f.dpuf
If this method is used, painters are required to identify their medium as ‘collage’, or ‘watercolour collage’ if entering the piece in an exhibition or juried show. Such work falls outside the accepted boundaries of what constitutes a ‘watercolour’.
In order to remain within the rather strict boundaries painters cannot have more than one third be of another medium or it then becomes a ‘mixed media’ work or ‘collage’ or ‘gauche’. Gauche is watercolour which uses white tempera paint, and thus is opaque, not transparent. Of course, that is perfectly well and good. Every painter does as (s)he is led to do.
‘Moonrise’, watercolour on art board, 19cm x 24cm, (7.5″ x 9.5″)
Personally, like writers who enjoy the challenge of staying within the bounds of iambic pentameter and composing 14 line sonnets, being ‘confined’ to the rather strict parameters of traditional watercolour is rewarding. These protocols include reserving paper to serve as white in a painting (such as the moon in the above example) — and the white of the paper is what brings life to the pigments laid over it. And it means having to discover ways of creating texture which, in the end, remains just an illusion.
conclusion to ….. DIY bookmarks
July 2, 2015
IT IS HEARTENING to read the comments lavished on me for this little project, and to see no one asking me ‘why bookmarks when we have Kindle Readers?’
heh heh….I do own one. And I do have a Google Reader app loaded onto my cell phone. And yes, I do occasionally (like at the dentist’s) have need to continue reading the free download of the 19th C. contemporary of Charles Dickens, Wilkie Collins’ “The Guilty River” (a mystery).
And, because I didn’t want to undergo surgery for a crushed rib cage attempting to read the kazillion-page ‘War and Peace’ in bed, I did read that on my Kindle.
HOWEVER, reading ‘War and Peace’ on a Kindle, though less cumbersome, brings no satisfaction whatsoever when, many grey hairs later, one finishes it. Why? Because those kazillion pages simply vanish into thin air. You don’t get the ego satisfaction of hefting the giant tome onto a bookshelf and nodding at it whenever going by, thinking, “I read that — the whole damn thing — every damn page of it.”
LIKEWISE, young misses into the third week of dating a diehard Kindle devotee–invited to the apartment for coffee, waiting for it to be served–don’t get to peruse the bookshelves to get a good glimpse as to what this person is REALLY like.
THE CLINCHER FOR ME was when Kindle and Google started charging as much for their so-called cloud download of electronic nothingness, as a bookstore does for an actual, substantial, lap-filling, real-and-in-your-hands, BOOK. Uh-uh. If I’m gonna pay $20 for a book? I WANT A BOOK.
THUS, the bookmark DIY project. Because there are still alot of I-want-something-for-my-money book readers like me, who see Kindle as the garment of the Emperor. So if a kindred spirit is going to have to pay $20+ regardless, not only do they want a real book, they’d enjoy receiving a bookmark gift to go with it.
So let’s finish it up…..
….the remains of the painting reject get chopped into pieces, the largest one measuring wider than 2 widths of the bookmark, because it is going to serve as a sleeve holder…..the smaller piece will become the gift giver’s “To:/From:” tag
….the larger piece gets chopped down further, with the top part cut on the bias, and glue applied to the side and bottom edges. This is then folded shut, and placed under a flat, heavy weight (I recommend ‘War and Peace’, snigger)….
….meanwhile, start your tassel by winding your choice of yarn(s) around the width of two fingers, thereby choosing how big or small you want the finished tassel to be….
…..thread the tassel loop through with a length of remaining yarn…..
….there are a few ways to handle the rest of this, and I prefer tying a simple knot and then adding a touch of glue to keep from having to knot it twice, thus making it too bulky-looking….
…..wrap a length of yarn below the knotted top to serve as the tassel’s ‘noose’, and secure that with another dab of glue, setting it all aside till the glue has soaked in and dried clear….
….the frayed ends are trimmed from the knot and the noosed yarn, then the looped bottom is sliced completely across to create the tassel…..
…..the gift sleeve is removed when dry and a complimentary-sized gift card/tag is glued to the front of it…..
….the completed bookmark, with tassel is inserted into the gift sleeve, accompanied (in this case) with a business card, ready for display and selling…
DIY bookmarks
June 30, 2015
When I was 17, my mother bought me art lessons at The Manchester Art Center, Manchester, Vermont the Summer between high school and college, 1965. Those classes proved to be very memorable. My teacher was a watercolourist I deemed to be old, who was probably a good several years younger than I am now…heh heh.
He advised me to choose my medium carefully and stick with it my whole life, saying, “You’re unlikely to master even one medium, much less a few.” When I told him I wanted to paint in watercolour (because I so enjoyed his), he said, “Ok, good….but now always adhere to the 20 to 1 principle…..for every watercolour you keep, throw out 19.” (IOW, don’t frame often, and if so, make sure it’s worth framing. I think now you know why they were memorable, lol.)
Thus, we come to what to do with the 19. And I cut ’em up and make bookmarks. They sell from between $3 to $5 — $3 for the bookmark alone; $5 for a gift card-type sleeve with gift tag.
Here we go…..
Discarded/cropped portions of paintings…
Bookmark part of rejected painting is cut out and also artist signed on front; 2 pieces of protective lamination paper from the dollar store are then cut a bit larger than the bookmark…
the bookmark is laminated on both sides ….
once the laminated edges are trimmed, a paper punch is used to make a hole…..
a title (in this case ‘Raven Moon’) and artist info can be written on the reverse before laminating….and the hole is punched at the top
dollar stores also sell embroidery yarn which is then used to make a tassel…
voila
The materials come to practically nothing, cost wise. It’s your time requiring compensation, but I do these watching Netflix, so hey….
Next time I will demo how to make and attach the tassel and also how to make the gift card-type sleeve and gift tag.
tiny robin
June 28, 2015
There is a woman named Robin who comes to the Gallery looking for namesake treasures. It is my personal pleasure to keep her mission accomplished.
‘N. American Robin‘, 4cm x 6cm, (1.5″ x 2.5″), watercolour miniature, sold
I have a niece named Robin. What’s cool about her is that she is married to Peregrin. And the relieving detail is that they chose not to name any of their three children after birds.
I went to school with a girl named Candi Barr. When I was a kid, our next door neighbour’s maiden name was Olivia Greene. Fortunately, none of my (known) relatives ever named their son Bud.
Please provide some examples of your own known ‘unfortunate’ names. We could all do with a smile.
twilight time
June 26, 2015
DUSK HAS ALWAYS BEEN a magical time for photographers and painters alike. Exemplifying this is John Singer Sargents’ famous work, ‘Carnation, Lily, Lily Rose’ . . .
He would work on the piece by running outside every evening at that magical time to take in the effects the setting sun created in his garden, and add more detail to this wonderful painting–and did this over an entire year, between 1885 and 1886.
It borders on fatuous to have a Singer Sargent and something of mine on the same page, so please refrain from making a comparison. Rather, note along with me that regardless of who is photographing, painting in oils, watercolour, or pastel, trying to gain an understanding of the effects of the setting sun continues to be a worthy and challenging pursuit, no matter which century we happen to find ourselves living in.
“Winter Sun”, watercolour, 20cm x 30.5cm (8″ x 10″), art board, unsold
heatwave relief
June 24, 2015
IT IS BARELY PAST the first day of Summer and temperatures here in Southern British Columbia, Canada, are scheduled to climb to 40C (104F) and stay there. It is feared the heat and drought affecting California is heading North, Along with such heat, thunderstorm probabilities rise, and they become fire starters. By August there’ll be what weather reports term ‘local smoke’–a haze hanging over everything–accompanied by the sound of helicopters and planes working to douse flames in affected regions close by.
My favourite month is November. It is both an exciting and contemplative month–exciting because any day, any moment I might step out to feel those fortifying winds suddenly becoming the first snow squall. Contemplative, because the fog rising from the closeby Thompson River mixes with wood stove breathings and the last of the leathery oak leaves falling to join the others, invites thoughts on things ethereal and eternal.
“Logging along Jamieson Creek Road”, watercolour, 20cm x 25cm, (8″ x 10″) Arches Hot Press 140 lb Paper, unsold
As a child, there was nothing more beautiful than what I called ‘purple snow’–that snow which signalled to us that we’d best take only one more turn sledding down Dead Man’s Hill (many years prior, legend had it, a man went down its twists and turns standing on his sled and smacked into a maple–back in the old days, when men apparently went sledding). Purple snow meant dinner. Purple snow meant finally discovering just how cold our digits actually were– thawing under a running cold faucet–pins and needles hot pink cold.
And even now, there is nothing to me more beautiful than purple snow. On this 40C second day of Summer, all I can say is, Lord get us through to November.
on display
June 22, 2015
THE OLD COURTHOUSE GALLERY CO-OP and Gift Shop got its start in 2007. The Courthouse itself is a Kamloops, B. C., landmark, built in 1909.
photo: Okanagan Art Review.com
A superb and intact example of the Edwardian Baroque style, its interior demonstrates an Arts and Crafts sensibility.
Mainly symmetrical, the building features an elaborate central entry, prominent parapet gables and a corner square-domed tower. It was constructed primarily of local brick, British Columbia stone such as granite, limestone and slate, and wood from local lumber mills. The choice of materials symbolized a commitment to the use of quality British Columbia products, a source of pride in this provincial building. An exceptional level of design and craftsmanship is evident throughout the building. It is one of the most accomplished designs of prominent architects Dalton & Eveleigh, and the stained glass came from the studio of Charles Bloomfield. (source: http://www.historicplaces.ca/en/rep-reg/place-lieu.aspx?id=12791)
Our Artists’ Co-op now consists of sixteen local artists, whose work is on display within one of the rooms of the original Courthouse. We are a group made up of several potters, glassmakers, jewelry makers, painters, two photographers, one dollmaker, and one weaver. I am currently the President.
Every month we schedule one or two of us to be the Featured Artists who occupy a special area just inside the entrance.
We are open five days a week, all year round, and our biggest event is called Christmas At The Courthouse where we invite and jury in arts and fine crafts vendors to sell their wares throughout the entire building . . .
mountain pine
June 20, 2015
In January 2011, a Pacific ponderosa pine in the Rogue River–Siskiyou National Forest in Oregon was measured with a laser to be 268.35 ft (81.79 m) high. This is now the tallest known pine. The previous tallest known pine was a sugar pine.
Ponderosa Pine photo by Jason Sturner
The needles are harvested by First Nations and other local artisans, then washed and woven into Ponderosa Pine needle baskets . . .
(photos: PineGardenBaskets, Etsy)
The mountain pine beetle is just over six millimetres long (about the size of a grain of rice). But the tiny forest insect has infested huge areas of mature pine around the interior of British Columbia, causing colossal amounts of damage on B.C. forests.
The beetle likes mature pine and mild weather. Because B.C. has more old pine than ever before, and has had several consecutive mild winters, mountain pine beetle populations have exploded to epidemic levels. (source + photo: Government of British Columbia)
Here in Kamloops, B. C., even pines growing in people’s yards get ravaged–as much as in our great forests. It is a helpless feeling, yet more and more innovative products are being developed from pine beetle timber.
Below is the Richmond, B. C., Olympic Skating Oval, totally made from pine beetle-killed timber. The wood has retained all the pine beetle bores and markings, and has been acclaimed as a ‘truly majestic work of art and design’.
photo: Architectural Review
‘Mountain Pine’, (study), watercolour, 15cm x 36cm, 6″ x 14″, Arches Hot Press 140 lb. Paper, unsold
butterfly morning
June 18, 2015
Many butterflies have developed interesting ways of defending themselves from predators. One method is disguise, or “cryptic coloration”, where the butterfly has the ability to look like a leaf or blend into the bark of a tree to hide from predators. Another method is chemical defense, where the butterfly has evolved to have toxic chemicals in its body. These species of butterfly are often brightly colored, and predators have learned over time to associate their bright color with the bad taste of the chemicals. (source:http://www.defenders.org/butterflies/basic-facts)
As children, we chased them with homemade cheesecloth and coathanger nets, paying frequent visits to our neighbour’s butterfly bush which truly was just that. Of course, today they are no longer so abundant and butterflies are–I grew to know–best viewed while alive and gracing the perennials in the front yard.
chestnut chickadee miniature
June 16, 2015
The Chestnut-backed Chickadee uses lots of fur in making its nest, with fur or hair accounting for up to half the material in the hole.
nwnature.net
Rabbit, coyote, and deer hair are most common, but hair from skunks, cats, horses, or cows appears in nests as well. The adults make a layer of fur about a half-inch thick that they use to cover the eggs when they leave the nest. (source: allaboutbirds.org)
© René Corado / WFVZ
What’s not to like about these chittery, agile, and nimble bits of joy–so accommodating, they’re willing to eat out of an uplifted palm. At feeders, they flit in, impetuously seize a seed, cock their heads and in a mercurial moment are pounding the life out of their shell-encased prize, hammering against a solid branch.
“Chestnut Chickadee”, 2.54cm x 2.54cm (1″ x 1″), watercolour on Arches Hot Press Paper, sold
When annoyed, they chee-chee-chee-chee at any feeder chaos, curtly muscle back in, and sprightly dart back up to pummel their sunflower seed in privacy.
shirley poppies
June 14, 2015
The Shirley poppy was ‘created’ circa 1880 by the Reverend William Wilks, vicar of the parish of Shirley in England. Rector Wilks found in a corner of his garden where it adjoined arable fields, a variant of the field poppy that had a narrow white border around the petals.
By careful selection and hybridization over many years The Rev. Wilks obtained a strain of poppies ranging in colour from white and pale lilac to pink and red, and unlike the wild poppies these had no dark blotches at the base of the petals. (source: https://en.wikipedia.org/wiki/Shirley_Poppy, photo credit: http://pantip.com/topic/30827995)
‘Shirley Poppies’, watercolour, Bockingford Cold Press 140# Paper, 15cm x 20cm (6″ x 8″), sold
THEY HAVE BECOME SYNONYMOUS with the Remembrance Day poppy, worn in lapels all over Canada and the U. K. in the early days of November onwards through to the 11th, post-memorial cenotaph services, where, in Canada’s capital, people place their poppy on The Tomb of the Unknown Soldier before departing.
Northern Mockingbird
June 12, 2015
TODAY MY BLOGGING COMRADE, H.J. Ruiz of ‘Avian101’ ( https://avian101.wordpress.com/2015/06/12/law-and-order-2/) features his stories and photographs of The Northern Mockingbird, a bird I was asked to do a miniature of, but not a bird which we (to my knowledge) have populating the Interior of British Columbia (it is probably just too cold here).
The Northern Mockingbird, 2″ x 3″, watercolour, L. Rice-Sosne Collection
I HAD TO RELY ON REFERENCE PHOTOS and see from H. J.s photos that its feet are quite a distinctive size relative to the body. And it seems from photos to be a very sharp-eyed, inquisitive, decisive–almost wary–garden ‘defender’, as H.J. declares the Mockingbird to be. I’d perhaps have made its wings a degree darker had I had his photos before me, but I’m okay with the results.
OF COURSE, BOOMERS LIKE ME grew up hearing Patti Page singing ‘Mockingbird Hill’, as well as Inez and Charlie Foxx’s ‘Mockingbird’ (https://www.youtube.com/watch?v=g47_NI1CWNQ — which my parents hated and I loved ). It was, to me anyhow, later perfected by James Taylor and Carly Simon — watch here: https://www.youtube.com/watch?v=KmnTcBdpbHI . So all I really knew was the lore, rather than the bird.
AND I HAVE OVER THE YEARS, come to associate The Northern Mockingbird with The Old South, whether warranted or not, I just don’t really know.
barn swallow
June 9, 2015
A FEW INTRIGUING FACTS about Barn Swallows:
(source: allaboutbirds.org)
- Although the killing of egrets is often cited for inspiring the U.S. conservation movement, it was the millinery (hat-making) trade’s impact on Barn Swallows that prompted naturalist George Bird Grinnell’s 1886 Forest & Stream editorial decrying the waste of bird life. His essay led to the founding of the first Audubon Society.
- According to legend, the Barn Swallow got its forked tail because it stole fire from the gods to bring to people. An angry deity hurled a firebrand at the swallow, singeing away its middle tail feathers.
- The oldest known Barn Swallow in North America was 8 years, 1 month old.
‘Male Barn Swallow‘, watercolour, 7.5cm x 12.5cm, 3″ x 5″, Arches Hot Press 140# Paper, L. Rice-Sosne Collection
Barn Swallows don’t come to seed or suet feeders, but they may take ground-up eggshells or oyster shells placed on an open platform feeder. If you have a suitable outbuilding, leaving a door or window open can encourage Barn Swallows to build a nest inside. Providing a source of mud will also help with nest building. Barn Swallows may use artificial nest cups attached to an appropriate surface.
Barn Swallows also drink and even bathe on the wing, dipping down to take a mouthful of water or touch their belly to the surface for a quick rinse. Males defend a small territory around the nest site and aggressively chase away other males, even grabbing them with their feet and tumbling to the ground. Individuals or groups of Barn Swallows mob predators such as hawks, gulls, or grackles that approach nests.
joan’s place
June 7, 2015
THIS FORMAL AND RATHER LOVELY Heritage Home in our small city (90,000) of Kamloops, B.C., (canada) is known as the Dr. M.S.Wade House. Dr. Mark Wade was an eye, ear, and throat specialist who arrived in Kamloops in 1895. A decade later, in 1905 he built his home. It has become a great favourite painting subject of mine . . .
Dr. M.S. Wade House
THE BASIC SHAPE OF THE HOUSE is undecorated and angular, but Wade added rich Victorian millwork and slender, turned verandah columns. Bay windows, stained glass and a wraparound verandah are lovely features to this home.
IT IS SUCH AN APPEALING SUBJECT. The reasons for this are my enjoyment of Victorian architecture, how the many nuances of this design capture the imagination, (especially when situating the house in the midst of ‘moody’ seasonal weather), and how its present owner adds her own personal touches. The watercolour below has been posted here, but some years ago now. . . .
‘Foggy Dew’, November, Dr. Wade Home’, watercolour, Arches 140# Cold Press Paper, 36cm 50cm (14″ x 20″), J. Potter Collection
BUT A MORE SUMMERY ONE is of a portion of the house at the very back which can be faintly seen at the far left in the painting above . . .
“Joan’s Place”, watercolour on matt board, 23cm x 31cm (9″ x 13″)
THIS WAS AN EXPERIMENTATION in depicting grasses on the almost glassy smoothness of plain old white matt board. As a finished painting, it is so-so. The composition suffers from there being just a bit too much grass, and how the lawn ornaments unintentionally became the subject. Without an interesting focal point, in the end it was a helpful study in summer grasses and pines–and an instruction in what to avoid in seeking good composition (i.e. not everything in a photograph needs to be included).
more night
June 5, 2015
I KNOW, I KNOW, it’s June. I’m incurably attracted to Autumn and Winter, most likely because they are for me what I’d describe as cozy seasons, where a sweater serves perfectly.
ADMITTING to age preferences is slightly embarrassing, but only slightly. Heat is no longer an attraction to me, weather-wise, and here it is June 5 and in two days it will be going to 92F (33C). Now please, do NOT misinterpret this as whining. I’m not (right now), but rather simply stating a preference in order to justify posting this painting….
‘Pale Moon’, Watercolour on Arches Hot Press 140 lb Paper, 13cm x 18cm (5″ x 7″)
WHEN PAINTING, I admit to finding it more satisfying to express feeling through stark scenes with diminished-light. For one thing, the above place is not one many people would find themselves visiting at that hour in that weather. It therefore brings us in as though inviting a search for Snowy Owls on the prowl, or a pack of Grey Wolves threading a path back to the lair.
tranquille creek gorge
June 3, 2015
ANCIENT FLOWS OF LAVA have left our regional landscape (Kamloops, B. C.) with dramatic canyons, a single lane dirt road skirting the edges.
‘Tranquille Creek Gorge’, watercolour 23cm x 41cm (9″x16″) Arches Hot Press 140 lb. Paper, sold
MY PAINTING FRIEND MAX drove me through this arid landscape, only 10 minutes outside a city of nearly 100,000. Every so often she’d tell me of cars which had not been successful at executing a snowy, icy, tricky piece of road only to careen down the sides. At one place, the car was still there, making me both dizzy and almost nauseous, leaning over to see its rusting bulk caught between broken pines and rock.
‘MY GOD, WHERE WERE THEY HEADED?’ I’d asked. ‘Home, of course’, Max pointed ahead. And there was a small grouping of houses not far from the road, some fencing in horses or livestock–one had alpacas–and looking semi-deserted, though that was far from the case. Dogs barked at Max’s pickup as we threaded through and headed into yet more wilderness. ‘They take this road to Kamloops and back?’ — it seemed to my chicken, urban-minded guardedness a scary place to build one’s home. ‘Only for shopping, or a night on the town’, Max said. ‘Which is why someone sometimes doesn’t make it home–especially in the Winter.’
geology and art
May 31, 2015
ACCORDING TO GEOLOGIC FINDINGS, Kamloops, B. C., has limestone which dates back 270 million years. The earth itself is estimated to be some 4.5 billion years old. So the rock and sediment of Kamloops is relatively young in comparison, which is due to it having once been part of the ancient Pacific Ocean floor. Fossils in the area show ancient ocean plankton.
THE DOMINANT AND STRIKING, ANCIENT, WORN-DOWN MOUNTAINS within City Limits are the remains of ancient volcanic activity, and are remarkably bare of trees, gaining beauty from sunrises and sunsets, moonlight, and an annual ‘greening’, when the rains of Spring bring out the new leaves of Sagebrush and native grasses.
‘Signature Mountains of Kamloops, B. C.’, watercolour on Arches Hot Press Paper 140 lb., R. Foster Collection
finch miniature
May 28, 2015
THE HOUSE FINCH IS A RECENT INTRODUCTION from Western into Eastern North America (and Hawaii), but it has received a warmer reception than other arrivals like the European Starling and House Sparrow. That’s partly due to the cheerful red head and breast of males, and to the bird’s long, twittering song, which can now be heard in most of the neighborhoods of the continent. If you haven’t seen one recently, chances are you can find one at the next bird feeder you come across. (source: Cornell Ornithology)
‘House Finch’ 7.6cm x 11.4cm, (3″x 4.5″), watercolour on Arches Hot Press 140 lb. Paper
WHEN WE LIVED IN QUEBEC it was easy to tell the difference between a House Finch and a Purple Finch, simply because one was red and the other was the shade of pickled beets. Truly, to me at least, the Purple Finch was the more impressive, whereas a House Finch sort of came across as a Sparrow who’d fallen into some cherry koolaid.
IN WESTERN CANADA we do not have Purple Finches. The House Finch has become a delight in its own right, particularly because it is indeed attractive, and has truly a most melodious and lovely song. They are not overly aggressive and take turns at the feeders with their usual companions, the Goldfinches.
wee glimpses
May 26, 2015
PAINTING OUTDOORS has a way of getting a person to make judgment calls quickly, and in our area it is quite simply the heat of the day.
KAMLOOPS, B.C., IS UNIQUE IN THAT its mountainous hillsides are grass-covered with considerable sagebrush but little tree growth to the 900m level, creating what is known as an inverted tree line.
IN MOST PLACES TREES WON’T GROW above a certain level due to the lack of precipitation, but in Kamloops, they won’t grow below a certain level due to the lack of precipitation. We are known as The Sunshine Capitol of Canada, receiving over 2,000 hours of sun annually.
IOW, IT IS HOT. And since sun and heat are our landscape’s signature features, painting a local watercolour outdoors demands sitting right the heck out there.
THAT IS WHY IT MAKES GREAT SENSE to me to choose to do this by way of painting miniatures.
‘A Kamloops August’, watercolour, 6.35cm x 8.90cm (2.5″ x 3.5″), Arches Hot Press 140 lb. paper
MINIATURES demand quick thinking and choosing the elemental–the scene’s compositional essences–getting them down efficiently and thoughtfully, though, at the same time, quickly.
A GOOD MINIATURE can serve as the template for a much larger, studio piece. And good miniatures stand up very well all by themselves. This particular one has been accepted into two different juried Federation of Canadian Artists Shows, including the annual ‘Small, Smaller, Smallest’. It was, in that show, the very smallest of the lot. And that made me very happy!
mountain storm
May 24, 2015
MOUNTAIN STORMS ALWAYS COME WITH high winds and occasionally with hail, and here in Kamloops, British Columbia, are often felt in one part of the city and not in others. Being a city of roughly 90,000, built around, about, and on top of mountainous terrain, the overall elevation is about 350 meters (1,125 ft). There can be terrible flashes and crashes and gusts–much huffing and puffing–with the promised deluge itself being delivered everywhere else but on our crispy, thirsty yard and gardens.
‘Summer Storm’
watercolour, 30cm x 23cm, (12″ x 9″), Arches Cold Press 140 lb. paper,
G.W. Weisser Collection
showstoppers
May 22, 2015
SOME BIRDS ARE JUST LOOKERS. Here in the Southern Interior of British Columbia we have a few worthy of stopping traffic.
NOT BEING MUCH OF A PHOTOGRAPHER–a person who snaps pictures, really–I can only share my photos of some of our local showstoppers, the first being a …..
Western Tanager in the front garden
Tanagers come here to nest, as do many songbirds
Spring, 2011
ANOTHER LOOKER OF A BIRD is the …..
Pileated Woodpecker, January, 2011
AND A GREAT FAVOURITE OF MINE IS a. . . .
Mountain Bluebird, Summer, 2012
THE MOUNTAIN BLUEBIRD is found here in our abundant grasslands, and are encouraged to remain by our local people building and mounting birdhouses meant especially for them. And truly there are no blues quite as brilliantly displayed as on a male Mountain Bluebird, who, while I was snapping away and adjusting my lense, remained surprisingly still and unperturbed, as though enjoying (and deserving) the attention.
Male Mountain Bluebird, Kamloops, B. C., 2012
RECENTLY I WAS ASKED TO PROVIDE A MINIATURE of a Male Northern Cardinal, a bird not found in Western Canada. Having to rely on images not my own, and hoping the result would do justice to the actual bird itself . . . .
‘Northern Cardinal’ watercolour, arches hot press paper 9cm x 6cm (2.5″ x 3.5″)
IT IS BEING SENT OFF TO a patron in New York City, where I believe a Northern Cardinal might be seen gracing the beautiful environs of New York’s Central Park.
raven moon
May 20, 2015
PAINTING NIGHT has become something of a preoccupation. On a very bald and pedestrian level, one could simply say that ‘night sells’. However, it is the ‘why’ which is intriguing–why do scenes of watercolour-rendered night have an appeal.
‘Raven Moon’, watercolour, 35cm x 25cm (14″x10″), Art Board, (sold)
THERE IS A FASCINATION over what goes on in nature while we are sleeping. When walking the dog at 4 a.m., there are owls hooting, deer eating in people’s yards, the occasional cries of coyotes, and the enduring scent of lilac.
HEARING, TOUCHING, SMELLING all come alive, while seeing is at the pleasure of the muted moon–at once reassuring and mysterious.
painting night
May 18, 2015
THERE IS A FASCINATION surrounding night, when all is cloaked in darkness and the earth dons a mysterious manteau.
WE SEE, and yet we don’t. Depicting night is a painting fascination because I personally do not have a firm visual anamnesis of what exactly night ‘looks like’.
FOR EXAMPLE, is the moon really white–or silvery? Or is it, rather, lemony–or perhaps, blue?
A NUMBER OF RENOWNED NORTH AMERICAN PAINTERS made the depiction of night their signature subject. Some, like the famous Western painter, Remington, chose to depict moonlight as a bit of each, including even at times, degrees of green….
IT IS SOMEWHAT OF A MYSTERY as to what our eyes truly see, in terms of chromaticity, when looking at night, and particularly, moonlight. Painting night offers an enjoyable challenge: convincing viewers that what has been painted corresponds to their personal, nightly experience.
‘Up Late’, watercolour, Arches Hot Press Paper, “14×18”, (sold)
THIS IS ANOTHER heritage home in Kamloops, known locally as Fort House, because it was built on land originally used as a Fort by The Hudson Bay Company when Kamloops was established in 1812. At present, this early 20th century farmhouse is a rather rundown rooming house.
the tranquille creek gorge
May 16, 2015
THE SOUTHERN INTERIOR of British Columbia is a desert-like landscape, plunging steeply into geologically-unique valleys that include rattlesnakes, a ground-creeping variety of prickly pear cactus, sagebrush, and tumbleweed.
I ACCIDENTALLY DISCOVERED the local cacti by casually placing my hand on top of one in our backyard shortly after we’d moved to our current home.
local prickly-pear cactus
OUR BACKYARD as such, is mostly mountain ridge, covered in these low-lying cacti, sagebrush, and outcropping of rock.
Local terrain
RUNNING UP AND DOWN OUR RIDGE are flocks of Chukar Partridges–a bird which belongs in ‘Roadrunner’ cartoons. Their name is derived from their ‘chuk-chuk-chuk-CHUK-CHUK-CHUKCHUKCHUKCHUK!!!’ call (who needs an alarm clock?). Below is a not-very-good photo of one (they are always on the run, making my camera skills not up to the task)….
local Chukar Partridge
NEARBY US is a very geologically-dramatic area called The Tranquille Creek Gorge.
PAINTING THIS TERRAIN ON LOCATION has to be done rather quickly (depending on the time of day), as temperatures can go up to 40C and the sun is relentless due to the lack of trees, and thus, shade….
watercolour sketch, tranquille creek
COMING HERE FROM THE WET AND RAINY B. C. COAST, it has taken me years to come to fully appreciate the beauty of an arid area such as ours. But now that my eyes are open to the subtlety, I wouldn’t return to all that green for anything in the world. I’m happy in the depth of our browns (smile).
weisserwatercolours 