painting progression . . . 2 “Cows”

April 13, 2015

THE PAPER IN USE HERE  is a very smooth-surfaced one called Hot Press (140 lb.) by the French Company, Arches (a very old watercolour paper maker).  Hot Press paper has virtually no surface texture at all and is slightly cream-toned.  When papers are this smooth, the paint initially floats on top before being absorbed.  This floating quality creates effects a rough surfaced paper can’t deliver.

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So Hot Press paper looks and feels pretty much like dollar store poster paper–smooth, shiny, and about the same thickness.  And because it is not a heavy paper, and because it is so smooth, Hot Press watercolour paper cannot take a lot of scrubbing out if mistakes are made.  The painter needs to be rather confident about the strength and amount of pigment to use before putting brush to paper.  So because I am always a bit tentative when beginning to paint something as challenging as an animal, I gain confidence by always having a scrap piece of watercolour paper handy to try things out on first.  Once I see how to do it on a scrap piece of paper, then I have confidence to do the same thing on the painting itself. 

It needs to be stressed that Arches paper is superb and bears absolutely no comparison to poster paper when paint is applied to it.  The weight (140 lb) is how thick the paper is.  300 lb. paper is very thick and therefore can take a lot more scrubbing and multiple washes, without losing luminosity.  The downside is that 300 lb. watercolour paper is quite a bit more expensive.  And when I work on very expensive paper, I am too aware of its cost.  That makes me somewhat nervous about possibly ruining the painting.  So I usually choose 140 lb. paper because if it gets ruined, I am not that concerned, and so therefore approach the painting with more boldness which gives a better result.

 

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