Painting progression 4
March 15, 2015
MORE TREES needed adding. The suggestion of rocky outcrop is introduced. The aging building is blocked in. Shadowing completes this phase…..
Painting progression 3
March 14, 2015
THE MOON and schoolhouse roof were masked, then a wash applied in the sky areas.
Once done, a decision was made to next eliminate the horse, it becoming an unintended focal point if left in. (A lone horse standing at night in front of an abandoned school in bitter cold would be incongruous).
Painting Progression 2
March 13, 2015
TREES are painted in very dark and the watercolour pigment tempered a bit in order to have it resist being completely taken away by an overlay of secondary wash.
Painting Progression 1….
March 12, 2015
THERE WAS an old schoolhouse in the Township of Pritchard, British Columbia, just down the road from my friend Shiela. 
It was kept on a corner of field by a rancher who had attended it, hoping someday someone would see to its restoration. Eventually it was torn down, but not before I was able to photograph it. And I have painted it several times, choosing to situate it where I please….
This is the initial drawing. Because the rancher kept horses, I decided to position one for sake of interest. The paper is Arches Cold Press 140 lb., stretched stapled and taped onto gater board, approx. 15 x 20 in.
Jamieson Creek
May 6, 2012
This little painting (6″ x 7.5″) is of Jamieson Creek, which is not even ten minutes drive from our front door. This is a desert-like region, featuring its own local cacti (which I discovered by way of my hand), and is called The Sunshine Capital of Canada. Water, while not scarce, has usage restrictions and homes are now being installed with water meters.
So to have the Jamieson splashing over and around rocks and fallen timbers is a great joy. It is the epitome of the ‘laughing brook’ of literature, and compliments the broad, slow-moving Thompson Rivers which run through town. Were it not for our rivers, Kamloops would be uninhabitable. Right now the creek and rivers are swelling from the melt-off of mountain snows. Kamloops itself is some 4,000 ft in elevation, the mountain snows are up that much higher, and June is when the river level is at its peak.
“Up The Jamieson”, L & M Jones Collection
This painting was on the wall no longer than ten minutes before it was sold. My colleague in art, Lynda Jones, thought it complimented her pottery so well she went with her impulses. And that made my day.
Our Recent Show
May 5, 2012
It was an honour being asked by Lynda Jones to share her spotlight as Featured Artist at our Old Courthouse Gallery here in my city of Kamloops, British Columbia, Canada. Lynda is a potter whose studio is in Falkland, B. C.– a potter of ever-increasing recognition, most notably for her astonishingly beautiful smoke-fired pottery which can be seen in more detail here: http://www.okanaganpotters.ca/ljonesgallery.html.
Our Opening on May 1st came off well even though the wall socket we’d plugged the coffee and tea into was busted and we didn’t know until we were due to serve it. But once extension cords were found, a good time was had by all.
Lynda Jones and Lance Weisser, Featured Artists
Old Courthouse Gallery, Kamloops, B. C.
That same day, a quarterly magazine, ‘Currents’ published this very generous feature . . .
‘Currents Magazine’ May 1, 2012
Publicity like this is very helpful and makes it all the more necessary for me to remember that watercolour is my hobby, and a medium I struggle mightily with. All I can hope for is the chance to keep learning from my continual mistakes, while trying to improve in incremental steps.
Yesterday I was very happy to learn that the owner of the ‘Dr. M. S. Wade House’ (see ‘previous entries’ below) is very taken with my rendition of her home. She’s lived in it for more than 35 years and rues the day she’ll ever have to move out–but says if and when she does, she’ll now have my painting to bring back the memories. And as a painter, it just doesn’t get any better than that!
Local Cliffs, Finished Piece
April 25, 2012
D Day for me is May 1st. That is when Lynda Jones and I are teaming up to be The Featured Artists at The Old Courthouse Gallery here in Kamloops. Lynda is a rare and amazing potter who specializes in highly burnished smoke-fired pieces and counts among her collectors the former U. S. President Clinton.
Here is the fantastic poster she has designed:
PAIR' A LLs E-POSTER MAY 2012 Courthouse Gallery
The Local Cliffs subject I’ve been doing studies of has finally been completed as a work I’m satisfied enough to allow to be matted and framed.
"Cinnamon Ridge Signal" 7.5" x 9", Arches 140 lb. Cold Press Paper
One thing I’ve learned through doing it, is that this small size of 7.5″ x 9″ is very pleasing for me. It is large enough to include a good amount of detailing, and small enough to get finished in a timely way.
And now it is on to getting painting #2 for the show done before our May 1st opening. Thank you for your previous comments which helped me in producing the final result!
Local Cliffs — Study I & II
April 15, 2012
About ten minutes from our house is ‘Cinnamon Ridge’. These are cliffs with very distinctive geologic caves and ‘hoodoos’ caused by wind erosion. Though not around at the time (I was but a gleam in my parents’ eye) 50 million years ago, the Kamloops region of British Columbia (from the Native word Tk’emlups–‘where rivers meet’) was the source of great volcanic activity, and formed the seafloor of the ancestral Pacific Ocean.
Not far from Cinnamon Ridge is a loose shale shelf where my friends go to collect fossils. These fossils indeed prove this area which is so very dry, was once water-covered.
I’ve now done two studies of Cinnamon Ridge (so named because of its rich colour). The first is a small watercolour sketch about 4″ x 8″
'Cinnamon Ridge' watercolour sketch
The second is a more detailed and focused piece around 8.5″ x 12″. It has some issues as far as values go (it’s a bit too light and lacking in contrast), as well as a composition issue having to do with the train signal being much too far to the left.
'Cinnamon Ridge' Study II
And here is the photo both studies are based on:
reference photo of Cinnamon Ridge
The final painting must be ready for hanging on May 1st. So I am now about to do Study III, which will hopefully end up graduating from being a study to being worthy of mat and frame.
Painting is much like cooking. Too little salt is as much a turn-off as too much. Getting things just right wasn’t just a problem for Goldilocks.
Winter Horses
February 1, 2012
The Old Schoolhouse in Pritchard on Duck Range Road was torn down last summer. It was in a farmer’s field–a farmer who’d gone to it as a child–and though he wanted to see it restored and taken over by the community, no one stepped forward to do so.
For years his horses used the school yard as their private pasture. Rain or shine–snow or sleet–anyone driving by would see them, the pair of steeds only momentarily looking up before resuming their grazing.
"School Yard Pasture"
Finally, after numerous appeals to various groups to assume responsibility for the Old School, the farmer reluctantly went about making sure it didn’t collapse and possibly cause an accident. Someone told me it only took a couple of hours for it to be reduced to a pile of boards and beams. If one drives by now, the only thing left standing are the horses.
Rainy Day Study I
January 23, 2012
Golden Ears Provincial Park is one of the largest in British Columbia (over 62,500 hectares;1 hectare=2.47 acres) and features the pristine Alouette Lake. It also has three campgrounds and hiking trails through extremely rugged terrain. Vegetation is typical of the coastal western Hemlock forest of BC and the mountainous backcountry is not only rugged but has–almost annually–proven fatal to the unprepared. Those who go off are cautioned to understand what they’re getting themselves into.
Normally, Alouette Lake looks just like this . . .
Alouette Lake, Golden Ears Provincial Park (courtesy of Parks B. C.)
But the day I attempted to paint this scene, it started out very foggy, then changed to drizzle, then showed some promise of clearing-up. I was in the camping area that was the most primitive, and of course only when I decided to begin painting did it actually start to full-out pour. By then I was so into it that I had to keep going, even though drops were falling directly onto my work-in-progress (though I did have a make-shift tarp). But to this day, this is one of my most favourite paintings because even though it has its distortions, I didn’t give in and stayed until I finished it . . .
'Alouette Lake Study'
I can still smell the coleman stove coffee and feel the warmth of the mug against my numb fingers as I celebrated by putting my brushes away–and swearing I’d never paint another #%$#!@# watercolour again in my life.
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