The Federation of Canadian Artists’ National Show

April 7, 2015

THE FEDERATION OF CANADIAN ARTISTS had its beginnings in 1941, and had as its goal the unified representation of all Provinces through one organization.  Canada’s premier artists, The Group of Seven, were instrumental in organizing The FCA, with A. Y. Jackson as the Ontario head, and Lawren Harris in charge of the West Coast region.

TODAY THE FCA has become largely a Western Canadian organization with most of its activity within the Province of British Columbia.  The hub is Vancouver [www.artists.ca] with regional Chapters throughout B. C. and Southern  Alberta.  The Thompson Nicola Shuswap Chapter (which I am a member of) has been hosting two Annual Art Shows for many years, with the 2015 National Show being mounted this coming Wednesday, April 8th.

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THE NATIONAL SHOW is open to any qualifying FCA member, but submissions for jurying are limited to 3.  Digital images of a member’s work are submitted to Vancouver and juried by three Signature Artists who use a point system to arrive at which pieces will be accepted and which will be declined.  Of the 130+ digital entries, only 85 pieces are selected for inclusion into this National Show.

MY OWN SUBMISSIONS (two) have been juried, one being accepted–

‘Approaching Storm, Sechelt’, 25cm x 35.5cm (10.5″ x 14″), Watercolour on board

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It is considered an achievement simply to get into this Art Show, while Opening Night, Friday the 10th, will be the occasion when $2800.00 in Prizes are awarded by another set of Jurors for those paintings which stand out as the best of The Best.  Only once has a piece of mine ever been awarded a prize.

SENIOR MEMBERS OF THE FEDERATION have these paintings being considered for The SFCA Prize, with only one receiving top honours.

SFCA 13

 

SFCA 6

 

SFCA 3

 

SFCA 5

 

SFCA 4

 

NEARLY ALL THE WORK submitted by artists for these Shows is rendered in acrylics or oils, with some pastel, and a few watercolours, and fewer still graphite drawings. Watercolour, generally, is not the preferred medium of most painters. It is considered difficult and problematic because of its demands and limtations.

 

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